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Sam Taylor-Johnson: The Self and the Portrait
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$75.00
| Expected release date is Oct 6th 2026 |
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Product Details
Author:
Sam Taylor-Johnson, Lynsey Addario, Tracey Emin
Format:
Hardcover
Pages:
224
Publisher:
Rizzoli (October 6, 2026)
Imprint:
Rizzoli Electa
Release Date:
October 6, 2026
Language:
English
Audience:
General/trade
ISBN-13:
9780847877447
ISBN-10:
0847877442
Weight:
20oz
Dimensions:
9" x 11"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260705T121802_156890342-20260705.xml
Folder:
RandomHouse
List Price:
$75.00
Country of Origin:
China
Pub Discount:
60
Case Pack:
12
As low as:
$57.75
Publisher Identifier:
P-RH
Discount Code:
B
QuickShip:
Yes
Overview
The definitive monograph on the internationally acclaimed photographer turned Hollywood filmmaker, this volume explores the distinctive approach to portraiture that has shaped every facet of her practice.
From her earliest photographs to her record-breaking feature film Fifty Shades of Grey, Taylor-Johnson has consistently investigated the boundaries between still and moving images, using both to create bold, psychologically rich portraits and self-portraits.
Drawing from extensive archives across her full range of media, the book captures the evolution of her vision—from the acrobatic vitality of her iconic early “floating” self-portraits to the quiet intensity of her celebrated Crying Men series, as well as intimate images made on set and behind the scenes of her film work. Together, these pictures reveal a career-long inquiry into what constitutes a portrait and how identity can be expressed, staged, disrupted, or reimagined.
Curated and accompanied by new writing by Taylor-Johnson herself, the book marks the artist’s renewed focus on photography. Published in tandem with a new series of self-portraits, it offers an expansive, deeply personal look at an artist whose innovative engagement with image-making continues to shape contemporary visual culture.
From her earliest photographs to her record-breaking feature film Fifty Shades of Grey, Taylor-Johnson has consistently investigated the boundaries between still and moving images, using both to create bold, psychologically rich portraits and self-portraits.
Drawing from extensive archives across her full range of media, the book captures the evolution of her vision—from the acrobatic vitality of her iconic early “floating” self-portraits to the quiet intensity of her celebrated Crying Men series, as well as intimate images made on set and behind the scenes of her film work. Together, these pictures reveal a career-long inquiry into what constitutes a portrait and how identity can be expressed, staged, disrupted, or reimagined.
Curated and accompanied by new writing by Taylor-Johnson herself, the book marks the artist’s renewed focus on photography. Published in tandem with a new series of self-portraits, it offers an expansive, deeply personal look at an artist whose innovative engagement with image-making continues to shape contemporary visual culture.









