- Home
- Photography
- Subjects & Themes
- Quiet Eccentricities (The Vernacular Seen)
Quiet Eccentricities (The Vernacular Seen)
List Price:
$50.00
| Expected release date is Sep 29th 2026 |
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Lewis Koch, Jill Sterrett, Lisa Stone
Format:
Hardcover
Pages:
112
Publisher:
Daylight Books (September 29, 2026)
Imprint:
Daylight Books
Release Date:
September 29, 2026
Language:
English
ISBN-13:
9781954119642
ISBN-10:
195411964X
Weight:
18oz
Dimensions:
8" x 10"
File:
CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260505161607-20260505.xml
Folder:
CONSORTIUM
List Price:
$50.00
Country of Origin:
Turkey
Pub Discount:
65
Case Pack:
10
As low as:
$38.50
Publisher Identifier:
P-PER
Discount Code:
A
Overview
A reconsideration of Lewis Koch's seminal photographic work on vernacular architecture, Quiet Eccentricities: The Vernacular Seen presents mostly unpublished work made for a National Endowment for the Arts Photography Survey project which took place in southern Wisconsin, in the early 1980s. In addition to a key selection of the original images, an essay by curator and art historian Lisa Stone examines Koch's photographs of commonplace structures in relation to his early work which preceded the NEA project, and the later work which it in turn inspired.









