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Flowers of Fire
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$60.00
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Product Details
Author:
Anaïs Tondeur, Michael Marder
Format:
Paperback
Pages:
108
Publisher:
L'Artiere (April 21, 2026)
Imprint:
L'Artiere
Release Date:
April 21, 2026
Language:
English
Audience:
General/trade
ISBN-13:
9791280978295
Weight:
9.28oz
Dimensions:
8.25" x 11.69" x 0.2"
File:
Eloquence-SimonSchuster_03232026_P9866138_onix30-20260322.xml
List Price:
$60.00
Pub Discount:
65
Case Pack:
25
As low as:
$46.20
Publisher Identifier:
P-SS
Discount Code:
A
Folder:
Eloquence
Overview
A breathtaking fusion of art, science, and philosophy — capturing the invisible life of plants through sunlight and ashes in a haunting tribute to resilience.
Flowers of Fire is a poetic and experimental collaboration between artist Anaïs Tondeur and philosopher Michael Marder, created during a residency in Naples in dialogue with scientists and the inhabitants of the Terra dei Fuochi. The project intertwines photography, ecology, and philosophy to address a landscape marked by pollution and environmental trauma. Using an innovative technique of phytography, Tondeur lets plants imprint their own presence onto photosensitive paper and textiles recovered from landfills—images born from sunlight, soil, and vegetal touch. Marder responds with letters addressed to the plants, read aloud by the artist in a ritual of correspondence and care. Together, their dialogue gives form to an ethics of listening and reciprocity between human and vegetal life. Both artwork and ecological meditation, Flowers of Fire invites us to imagine new bonds of responsibility with the living world.
Flowers of Fire is a poetic and experimental collaboration between artist Anaïs Tondeur and philosopher Michael Marder, created during a residency in Naples in dialogue with scientists and the inhabitants of the Terra dei Fuochi. The project intertwines photography, ecology, and philosophy to address a landscape marked by pollution and environmental trauma. Using an innovative technique of phytography, Tondeur lets plants imprint their own presence onto photosensitive paper and textiles recovered from landfills—images born from sunlight, soil, and vegetal touch. Marder responds with letters addressed to the plants, read aloud by the artist in a ritual of correspondence and care. Together, their dialogue gives form to an ethics of listening and reciprocity between human and vegetal life. Both artwork and ecological meditation, Flowers of Fire invites us to imagine new bonds of responsibility with the living world.








