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Andinos (Encounters in Cusco, Peru)
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$75.00
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Product Details
Author:
Gabriel Barreto Bentin, Ruven Afanador
Format:
Hardcover
Pages:
144
Publisher:
Rizzoli (March 1, 2022)
Language:
English
ISBN-13:
9780847871506
ISBN-10:
0847871509
Weight:
57oz
Dimensions:
11.32" x 13.31" x 0.82"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260617T075421_156615876-20260617.xml
Folder:
RandomHouse
List Price:
$75.00
Case Pack:
8
As low as:
$64.50
Publisher Identifier:
P-RH
Discount Code:
C
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
Hong Kong
Pub Discount:
60
Imprint:
Rizzoli
Overview
Peruvian photographer Gabriel Baretto celebrates the notions of what it means to be Andino. Much like the Humans of New York for the people and indigenous culture of Peru.
In collaboration with Peruvian anthropologist Francesco D’Angelo, Gabriel Barreto Bentín offers an intimate portrait of the Andean society of Cusco, Peru. This socio-anthropological, photographic study offers a unique perspective on the Andino people, exploring narratives of spatial modernity and social hierarchies, challenging the commonly portrayed clichéd romantic versions of indigenous people pictured against breathtaking landscapes devoid of social context. Bentín travelled to Cusco and the Sacred Valley to photograph locals against white backgrounds, focusing on how they dress for different types of work and occasions. The images portray the diversity of the Andean people through their faces and attire, irrespective of the landscape. The portraits are accompanied by observations by neighbors from nearby communities—interviews that explicitly guide the reader through the articulation of modernity in the Andean society of Cusco.
In collaboration with Peruvian anthropologist Francesco D’Angelo, Gabriel Barreto Bentín offers an intimate portrait of the Andean society of Cusco, Peru. This socio-anthropological, photographic study offers a unique perspective on the Andino people, exploring narratives of spatial modernity and social hierarchies, challenging the commonly portrayed clichéd romantic versions of indigenous people pictured against breathtaking landscapes devoid of social context. Bentín travelled to Cusco and the Sacred Valley to photograph locals against white backgrounds, focusing on how they dress for different types of work and occasions. The images portray the diversity of the Andean people through their faces and attire, irrespective of the landscape. The portraits are accompanied by observations by neighbors from nearby communities—interviews that explicitly guide the reader through the articulation of modernity in the Andean society of Cusco.








