Wrong Psalms
List Price:
$19.95
| Expected release date is Mar 16th 2027 |
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Product Details
Author:
Lamb
Format:
Paperback
Pages:
112
Publisher:
MIT Press (March 16, 2027)
Imprint:
Enigma
Release Date:
March 16, 2027
Language:
English
Audience:
General/trade
ISBN-13:
9781971984087
ISBN-10:
1971984086
Weight:
13oz
Dimensions:
4.75" x 7"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260723T014615_157287222-20260723.xml
Folder:
RandomHouse
List Price:
$19.95
Country of Origin:
United States
Pub Discount:
65
Case Pack:
24
As low as:
$15.36
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Overview
A new American psalter of fatherhood, spirituality, temporality, and natural wonder from the debut poet Lamb.
Are we happy in eternity? I ask.
You answer, Are we happy now?
Wrong Psalms is the debut collection of poems by Lamb.
With the mythological reverberations of H.D and soft tenacity of Raymond Carver, the poet weighs his duties: to self, to family, to vast entities and structures both earthly and beyond. But his visionary translation of the world relays that perhaps the world cannot be measured at all.
For he does not reconcile the fissures between flesh and soil, the living and departed, the existence of capital in a society ostensibly devised by intangible human spirit. He magnifies these theatric disparities. Walks astride them across the American West under suburbia’s dusk and forest’s dawn. Imbues them with a sweet humor or, at times, a darker melancholia. The poetic pilgrimage of a young father emerges, who renders his accounts in blood, milk, glass, and light. It is a work that functions as the poet's literary offering to God, a vast and entrancing tableau for readers of any spiritual disposition.
Wrong Psalms is a singular work of devotion to art and to language, draped in sublime lyricism and impregnable mystery.
Are we happy in eternity? I ask.
You answer, Are we happy now?
Wrong Psalms is the debut collection of poems by Lamb.
With the mythological reverberations of H.D and soft tenacity of Raymond Carver, the poet weighs his duties: to self, to family, to vast entities and structures both earthly and beyond. But his visionary translation of the world relays that perhaps the world cannot be measured at all.
For he does not reconcile the fissures between flesh and soil, the living and departed, the existence of capital in a society ostensibly devised by intangible human spirit. He magnifies these theatric disparities. Walks astride them across the American West under suburbia’s dusk and forest’s dawn. Imbues them with a sweet humor or, at times, a darker melancholia. The poetic pilgrimage of a young father emerges, who renders his accounts in blood, milk, glass, and light. It is a work that functions as the poet's literary offering to God, a vast and entrancing tableau for readers of any spiritual disposition.
Wrong Psalms is a singular work of devotion to art and to language, draped in sublime lyricism and impregnable mystery.









