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Women, Space and Utopia 1600-1800 - 9781138264816

List Price: $61.99
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9781138264816
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  • Product Details

    Author:
    Nicole Pohl
    Format:
    Paperback
    Pages:
    208
    Publisher:
    Taylor & Francis (March 31, 2017)
    Language:
    English
    ISBN-13:
    9781138264816
    Weight:
    13.5oz
    Dimensions:
    6" x 8.625"
    File:
    TAYLORFRANCIS-TayFran_260331043202538-20260331.xml
    Folder:
    TAYLORFRANCIS
    List Price:
    $61.99
    Series:
    Women and Gender in the Early Modern World
    Case Pack:
    1
    As low as:
    $58.89
    Publisher Identifier:
    P-CRC
    Discount Code:
    H
    Pub Discount:
    30
    Imprint:
    Routledge
    Country of Origin:
    United States
  • Overview

    The first full length study of women's utopian spatial imagination in the seventeenth and eigtheenth centuries, this book explores the sophisticated correlation between identity and social space. The investigation is mainly driven by conceptual questions and thus seeks to link theoretical debates about space, gender and utopianism to historiographic debates about the (gendered) social production of space. As Pohl's primary aim is to demonstrate how women writers explore the complex (gender) politics of space, specific attention is given to spaces that feature widely in contemporary utopian imagination: Arcadia, the palace, the convent, the harem and the country house. The early modern writers Lady Mary Wroth and Margaret Cavendish seek to recreate Paradise in their versions of Eden and Jerusalem; the one yearns for Arcadia, the other for Solomon's Temple. Margaret Cavendish and Mary Astell redefine the convent as an emancipatory space, dismissing its symbolic meaning as a confining and surveilled architecture. The utopia of the country house in the work of Delarivier Manley, Sarah Scott and Mary Hamilton will reveal how women writers resignify the traditional metonym of the country estate. The study will finish with an investigation of Oriental tales and travel writing by Ellis Cornelia Knight, Lady Mary Montagu, Elizabeth Craven and Lady Hester Stanhope who unveil the seraglio as a location for a Western, specifically masculine discourse on Orientalism, despotism and female sexuality and offers their own utopian judgment.