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Wild Kids (Two Novels About Growing Up)

List Price: $28.00
SKU:
9780231120975
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  • Product Details

    Author:
    Ta-chun Chang, Michael Berry
    Format:
    Paperback
    Pages:
    272
    Publisher:
    Columbia University Press (February 22, 2002)
    Imprint:
    Columbia University Press
    Language:
    English
    Audience:
    Professional and scholarly
    ISBN-13:
    9780231120975
    ISBN-10:
    0231120974
    Weight:
    11.2oz
    Dimensions:
    6.12" x 8"
    File:
    TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260618163315-20260618.xml
    Folder:
    TWO RIVERS
    List Price:
    $28.00
    Country of Origin:
    United States
    Series:
    Modern Chinese Literature from Taiwan
    Case Pack:
    26
    As low as:
    $21.56
    Publisher Identifier:
    P-PER
    Discount Code:
    A
  • Overview

    These two searingly funny and unsettling portraits of teenagers beyond the control and largely beneath the notice of adults in 1980s Taiwan are the first English translations of works by Taiwan's most famous and best-selling literary cult figure. Chang Ta-chun's intricate narrative and keen, ironic sense of humor poignantly and piercingly convey the disillusionment and cynicism of modern Taiwanese youth.

    Interweaving the events between the birth of the narrator's younger sister and her abortion at the age of nineteen, the first novel, My Kid Sister, evokes the complex emotional impressions of youth and the often bizarre social dilemmas of adolescence. Combining discussions of fate, existentialism, sexual awakening, and everyday "absurdities" in a typically dysfunctional household, it documents the loss of innocence and the deconstruction of a family.

    In Wild Child, fourteen-year-old Hou Shichun drops out of school, runs away from home, and descends into the Taiwanese underworld, where he encounters an oddball assortment of similarly lost adolescents in desperate circumstances. This novel will inevitably invite comparisons with the classic The Catcher in the Rye, but unlike Holden Caulfield, Hou isn't given any second chances. With characteristic frankness and irony, Chang's teenagers bear witness to a new form of cultural and spiritual bankruptcy.