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Why Is the World So Beautiful? (Our Minds in Search of Nature's Rhymes)

List Price: $29.95
SKU:
9780262056588
Quantity:
Minimum Purchase
25 unit(s)
Expected release date is Oct 6th 2026
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  • Product Details

    Author:
    Nicholas Humphrey
    Format:
    Hardcover
    Pages:
    216
    Publisher:
    MIT Press (October 6, 2026)
    Imprint:
    The MIT Press
    Release Date:
    October 6, 2026
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780262056588
    ISBN-10:
    0262056585
    Weight:
    20oz
    Dimensions:
    5.25" x 8"
    File:
    RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260410T000005_155907804-20260410.xml
    Folder:
    RandomHouse
    List Price:
    $29.95
    Country of Origin:
    United States
    Pub Discount:
    65
    Case Pack:
    12
    As low as:
    $23.06
    Publisher Identifier:
    P-RH
    Discount Code:
    A
    QuickShip:
    Yes
  • Overview

    A fascinating inquiry into why beauty matters and how it has played an evolutionary role in our understanding of the world.

    From a pioneering neuropsychologist and the winner of the Mind and Brain Prize.


    Why do we love beauty? And why is the world so full of it? From rainbows and mountain landscapes to piano sonatas and Cezanne paintings, much of what we find beautiful seems to serve no practical purpose, despite our instinctive attraction to it. In this path-breaking book Why Is the World So Beautiful?, psychologist Nicholas Humphrey explains that the benefits of being drawn to beauty are primarily cognitive: we’re training our minds.

    Inspired by a line from the poet Gerard Manley Hopkins, that “all beauty may be called rhyme,” the author argues that by actively searching for rhyming connections between things, we establish the “mental models” that guide our understanding of the world. These rhymes extend beyond sounds to shapes, colors, objects, and even abstract ideas. Just as we need food to nourish our bodies, we need rhymes to nourish our minds.

    Our attraction to rhymes and patterns culminates in a uniquely human form of aesthetic emotion, one that recognizes that all artistry must issue from an artist.  This leads Humphrey to his boldest claim: when we encounter beauty in the natural world, we are responding as if to a hidden artist’s—or Creator’s—hand. The result is a daring and illuminating argument for why beauty moves us—and why our hunger for it is as fundamental as our need for meaning itself.