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- White Glove Test (Louisville Punk Flyers 1978-1994)
White Glove Test (Louisville Punk Flyers 1978-1994)
List Price:
$60.95
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Mike Bucayu, Stephen Driesler, Tim Furnish, Douglas Maxson, Shawn Severs, John Kampschaefer
Format:
Hardcover
Pages:
288
Publisher:
Drag City (August 18, 2015)
Language:
English
ISBN-13:
9781937112165
ISBN-10:
1937112160
Weight:
44.8oz
Dimensions:
8.5" x 11" x 0.9"
Case Pack:
12
File:
Eloquence-IPG_07022026_P10280930_onix30_Complete-20260702.xml
Folder:
Eloquence
As low as:
$52.42
List Price:
$60.95
Publisher Identifier:
P-IPG
Discount Code:
C
Audience:
General/trade
Pub Discount:
60
Imprint:
Drag City
Overview
More than 700 flyers are compiled in this rich visual history of the Do-It-Yourself concert poster. Documenting Louisville’s vibrant and diverse music scene, this collection of beautiful, funny, and profane pieces represents the golden age of a fugitive street art and revives a neglected facet of punk’s expressive force. Clipped, collaged, and photocopied, meticulously hand-painted and lettered, or designed on a glowing computer screen in the early days of desktop publishing, these flyers were outsider broadcasts stuck to phone poles and storefronts, a makeshift gallery installed with staple guns and wheat paste. Offering a parallax view of American punk, this book takes the reader through Louisville’s rise of bold beginnings and eminent international status to the thriving interconnected underground that extended beyond New York and Los Angeles. Assiduously assembled from rare originals each poster illustrates a national phenomenon in microcosm and illuminates a vital style of pre-Internet social media that is sure to appeal to any fan of independent music in Louisville and beyond.








