What to Let Go?
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Product Details
Author:
Cosmin Costinas, Inti Guerrero
Format:
Hardcover
Pages:
368
Publisher:
MIT Press (August 20, 2024)
Language:
English
ISBN-13:
9783956796425
ISBN-10:
395679642X
Weight:
69.2oz
Dimensions:
8.5" x 11.75" x 1.32"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260617T075621_156615885-20260617.xml
Folder:
RandomHouse
List Price:
$32.95
Case Pack:
6
As low as:
$25.37
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
China
Pub Discount:
65
Imprint:
Sternberg Press
Overview
What gets counted within the category of heritage, and who gets to do the counting?
What to Let Go? offers new contributions by and international roster of thinkers, authors, anthropologists, curators, artists, and poets addressing the question: what gets counted within the category of heritage, and who gets to do the counting? Addressing the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar processes of renaming and removing symbols of past eras, from India and Myanmar to Apartheid South Africa, the book will also look at how China’s resurgent nationalism is placing a (still developing) version of its imperial heritage at the core of its twenty-first century self-image. As these processes appear to occupy an increasingly prominent segment of the political discourse, with history seemingly becoming the major battlefield both for the left and for the right, What to Let Go? asks: how can art reconfigure our collective foundational myths?
What to Let Go? offers new contributions by and international roster of thinkers, authors, anthropologists, curators, artists, and poets addressing the question: what gets counted within the category of heritage, and who gets to do the counting? Addressing the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar processes of renaming and removing symbols of past eras, from India and Myanmar to Apartheid South Africa, the book will also look at how China’s resurgent nationalism is placing a (still developing) version of its imperial heritage at the core of its twenty-first century self-image. As these processes appear to occupy an increasingly prominent segment of the political discourse, with history seemingly becoming the major battlefield both for the left and for the right, What to Let Go? asks: how can art reconfigure our collective foundational myths?
