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We Never Called It Frisco
List Price:
$18.00
| Expected release date is Sep 8th 2026 |
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Product Details
Author:
Jed Perl
Format:
Paperback
Pages:
136
Publisher:
Coffee House Press (September 8, 2026)
Imprint:
Coffee House Press
Release Date:
September 8, 2026
Language:
English
ISBN-13:
9781566897648
ISBN-10:
1566897645
Weight:
12oz
Dimensions:
5.5" x 8.5"
File:
CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260720161536-20260720.xml
Folder:
CONSORTIUM
List Price:
$18.00
Country of Origin:
United States
Case Pack:
3
As low as:
$13.86
Publisher Identifier:
P-PER
Discount Code:
A
Pub Discount:
65
Overview
A candid novel about the art, artists, and their tempestuous relationships in the countercultural movement of the 50’s and 60’s, by one of America's most celebrated art critics.
During intermission at a modern dance performance in San Francisco, esteemed and incorrigible cultural critic Marcia Lang collapses into a banquette and dies on the spot. It’s soon discovered that Marcia willed her entire estate to Burt—her on-again, off-again roommate-slash-lover. His windfall includes her correspondence, her stilted redwood house in Marin County, and an incomplete draft of her unpublished memoir, We Never Called It Frisco. As he processes Marcia’s death alongside their cadre of Berkeley bohemians, Burt begins to reconstruct Marcia’s work in progress as an elegiac collage for the friend he’s lost and the city that found her.
In his first novel, renowned art critic Jed Perl, guides his reader down the back alleys of a mid-century San Francisco populated with painters, puppeteers, paperback revolutionaries, and the writers like Marcia who determined their positions in the cultural ecosystem. Through energetic and immersive prose, We Never Called It Frisco tests the structural limits of the novel as a site of reconstitution and remembrance.
During intermission at a modern dance performance in San Francisco, esteemed and incorrigible cultural critic Marcia Lang collapses into a banquette and dies on the spot. It’s soon discovered that Marcia willed her entire estate to Burt—her on-again, off-again roommate-slash-lover. His windfall includes her correspondence, her stilted redwood house in Marin County, and an incomplete draft of her unpublished memoir, We Never Called It Frisco. As he processes Marcia’s death alongside their cadre of Berkeley bohemians, Burt begins to reconstruct Marcia’s work in progress as an elegiac collage for the friend he’s lost and the city that found her.
In his first novel, renowned art critic Jed Perl, guides his reader down the back alleys of a mid-century San Francisco populated with painters, puppeteers, paperback revolutionaries, and the writers like Marcia who determined their positions in the cultural ecosystem. Through energetic and immersive prose, We Never Called It Frisco tests the structural limits of the novel as a site of reconstitution and remembrance.









