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Vintage Breadboards

List Price: $30.00
SKU:
9781909248649
Quantity:
Minimum Purchase
25 unit(s)
  • Availability: Confirm prior to ordering
  • Branding: minimum 50 pieces (add’l costs below)
  • Check Freight Rates (branded products only)

Branding Options (v), Availability & Lead Times

  • 1-Color Imprint: $2.00 ea.
  • Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
  • Belly-Band Wrap: $2.50 ea. (full-color printed)
  • Set-Up Charge: $45 per decoration
FULL DETAILS
  • Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
  • Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
  • Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
  • RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
  • Product Details

    Author:
    Madeleine Neave, Tom Samuel, Kouroush Monirzad
    Format:
    Paperback
    Pages:
    336
    Publisher:
    Marion Boyars Publishers Ltd (January 7, 2020)
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9781909248649
    ISBN-10:
    1909248649
    Dimensions:
    7" x 9"
    File:
    CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20240112102907-20240114.xml
    Folder:
    CONSORTIUM
    List Price:
    $30.00
    Case Pack:
    14
    As low as:
    $25.80
    Publisher Identifier:
    P-PER
    Discount Code:
    C
    Country of Origin:
    Malta
    Pub Discount:
    60
  • Overview

    Decorative ‘bread-platters’ were hugely popular in Victorian times, firstly among the elite who commissioned custom-made items featuring their coats-of-arms and mottos. They were also used to commemorate royal ceremonies, and of course, families put their crests on them if they were upper class. By the 1860s, enterprising workshops were producing bread-platters more cheaply with standardised carving for the mass market. The production centre until the 1950s was Sheffield, with skilled turners, carvers and metalworkers collaborating to produce matching sets of tableware. In the book, Madeleine Neave shows us how beautiful and varied the boards were, with the inclusion of butter knives, butter churners, and memories from her mother, Rosslyn, who began the collection after a childhood on a farm, milking cows by hand, and making butter.