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Vintage Breadboards
List Price:
$30.00
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Madeleine Neave, Tom Samuel, Kouroush Monirzad
Format:
Paperback
Pages:
336
Publisher:
Marion Boyars Publishers Ltd (January 7, 2020)
Language:
English
Audience:
General/trade
ISBN-13:
9781909248649
ISBN-10:
1909248649
Dimensions:
7" x 9"
File:
CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20240112102907-20240114.xml
Folder:
CONSORTIUM
List Price:
$30.00
Case Pack:
14
As low as:
$25.80
Publisher Identifier:
P-PER
Discount Code:
C
Country of Origin:
Malta
Pub Discount:
60
Overview
Decorative ‘bread-platters’ were hugely popular in Victorian times, firstly among the elite who commissioned custom-made items featuring their coats-of-arms and mottos. They were also used to commemorate royal ceremonies, and of course, families put their crests on them if they were upper class. By the 1860s, enterprising workshops were producing bread-platters more cheaply with standardised carving for the mass market. The production centre until the 1950s was Sheffield, with skilled turners, carvers and metalworkers collaborating to produce matching sets of tableware. In the book, Madeleine Neave shows us how beautiful and varied the boards were, with the inclusion of butter knives, butter churners, and memories from her mother, Rosslyn, who began the collection after a childhood on a farm, milking cows by hand, and making butter.








