Variations on America (Masterworks from American Art Forum Collections)
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Product Details
Author:
George Gurney, Eleanor Jones Harvey, Virginia M. Mecklenburg, Joann Moser, George Speer
Format:
Hardcover
Pages:
192
Publisher:
D Giles Limited (March 22, 2007)
Language:
English
ISBN-13:
9781904832423
ISBN-10:
1904832423
Weight:
54.56oz
Dimensions:
10.5" x 10.5"
Case Pack:
10
File:
CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260401130214-20260401.xml
Folder:
CONSORTIUM
As low as:
$46.16
List Price:
$59.95
Publisher Identifier:
P-PER
Discount Code:
A
Audience:
General/trade
Country of Origin:
Italy
Pub Discount:
65
Imprint:
GILES
Overview
This volume celebrates the 20th anniversary of the founding of the American Art Forum, by presenting 72 treasured works of art selected by the curators of the Smithsonian American Art Museum.
In six thematic and chronological sections, the curators cover the huge variety of American art: luminous images of nature from the mid-nineteenth century, such as Martin Johnson Heade’s Newburyport Meadows I, and fine landscape masterpieces in the Hudson River tradition, including Sanford Robinson Gifford’s The Marshes of the Hudson (1876); light-filled impressionist canvases, such as Mary Cassatt’s Reading Le Figaro” (1878); dazzling Gilded Age glass by Louis Comfort Tiffany and paintings by John Singer Sargent; gritty Ashcan records from a dynamic New York City, such as George Bellows’s Noon (1908); vivid aesthetic creations of the modern age; the triumphant abstract expressionism of Willem de Kooning; and resonant contemporary works by Andrew Wyeth and David Hockney.
The book also showcases major canvases by Georgia O’Keefe, such as Black Cross with Red Sky (1929), John Marin’s Taos Canyon, New Mexico (1929), Cyrus Edwin Dallin’s major statue Appeal to the Great Spirit and James Earl Fraser’s emotive bronze sculpture End of the Trail (1918).
In six thematic and chronological sections, the curators cover the huge variety of American art: luminous images of nature from the mid-nineteenth century, such as Martin Johnson Heade’s Newburyport Meadows I, and fine landscape masterpieces in the Hudson River tradition, including Sanford Robinson Gifford’s The Marshes of the Hudson (1876); light-filled impressionist canvases, such as Mary Cassatt’s Reading Le Figaro” (1878); dazzling Gilded Age glass by Louis Comfort Tiffany and paintings by John Singer Sargent; gritty Ashcan records from a dynamic New York City, such as George Bellows’s Noon (1908); vivid aesthetic creations of the modern age; the triumphant abstract expressionism of Willem de Kooning; and resonant contemporary works by Andrew Wyeth and David Hockney.
The book also showcases major canvases by Georgia O’Keefe, such as Black Cross with Red Sky (1929), John Marin’s Taos Canyon, New Mexico (1929), Cyrus Edwin Dallin’s major statue Appeal to the Great Spirit and James Earl Fraser’s emotive bronze sculpture End of the Trail (1918).








