Undark (An Oratorio)
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$18.95
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Product Details
Author:
Sandy Pool
Format:
Paperback
Pages:
80
Publisher:
Nightwood Editions (September 15, 2012)
Language:
English
ISBN-13:
9780889712737
ISBN-10:
0889712735
Weight:
4.8oz
Dimensions:
5.4" x 7.8" x 0.4"
Case Pack:
25
File:
PGW-LEGATO-Metadata_Only_Publishers_Group_West_Customer_Group_Metadata_20250917130148-20250918.xml
Folder:
PGW
As low as:
$16.30
List Price:
$18.95
Publisher Identifier:
P-PER
Discount Code:
C
Audience:
General/trade
Pub Discount:
60
Imprint:
Blewointment
Overview
"Later we will laugh; shake moonlight
off our clothes like ash.
For now we stare at the clock. The
day wears, tired as mechanism."
--from Undark
Undark: An Oratorio is the highly anticipated second collection from Sandy Pool, whose debut book of poetry Exploding into Night (Guernica, 2009) was shortlisted for the Governor General's Award for poetry in 2010.
In the early 1900s, thousands of women between the ages of 11 and 45 were employed painting glow-in-the-dark watch faces in factories across North America. Several years after leaving the plant, the dial painters developed mysterious medical conditions. These included complete necrosis of the jaw, severe anemia, intense arthritic like pains, and spontaneous bone fractures. Though clearly ailing from the use of radium based paint, the women were intentionally misdiagnosed as having syphilis. Many women died in shame before ever receiving compensation.
Sandy Pool's second book, Undark: An Oratorio, is equal parts dramatic elegy and poetic inquisition written in seven distinct voices. Drawing from the historical record of the 'radium women' and other instances of historical erasure, the work urges us to engage deeply with questions of time and women's history. The book confronts Bakhtin's notorious questions: What happens to time when history is being erased? What happens when time takes on flesh?
off our clothes like ash.
For now we stare at the clock. The
day wears, tired as mechanism."
--from Undark
Undark: An Oratorio is the highly anticipated second collection from Sandy Pool, whose debut book of poetry Exploding into Night (Guernica, 2009) was shortlisted for the Governor General's Award for poetry in 2010.
In the early 1900s, thousands of women between the ages of 11 and 45 were employed painting glow-in-the-dark watch faces in factories across North America. Several years after leaving the plant, the dial painters developed mysterious medical conditions. These included complete necrosis of the jaw, severe anemia, intense arthritic like pains, and spontaneous bone fractures. Though clearly ailing from the use of radium based paint, the women were intentionally misdiagnosed as having syphilis. Many women died in shame before ever receiving compensation.
Sandy Pool's second book, Undark: An Oratorio, is equal parts dramatic elegy and poetic inquisition written in seven distinct voices. Drawing from the historical record of the 'radium women' and other instances of historical erasure, the work urges us to engage deeply with questions of time and women's history. The book confronts Bakhtin's notorious questions: What happens to time when history is being erased? What happens when time takes on flesh?
