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TV Noir (Dark Drama on the Small Screen)
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Product Details
Author:
Allen Glover
Format:
Hardcover
Pages:
256
Publisher:
Abrams Books (September 24, 2019)
Language:
English
ISBN-13:
9781590201671
Weight:
40.16oz
Dimensions:
8" x 10" x 1.15"
Case Pack:
10
File:
Eloquence-HNA_08042026_P10435710_onix30_Complete-20260804.xml
Folder:
Eloquence
List Price:
$40.00
As low as:
$30.80
Publisher Identifier:
P-ABRAMS
Discount Code:
A
Audience:
General/trade
Pub Discount:
65
Imprint:
Abrams Books
Overview
The pioneering, incisive, lavishly illustrated survey of noir on television—the first of its kind
Noir—as a style, movement, or sensibility—has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called “film noir” by French cinéastes. But film isn’t the only medium with a taste for a dark story.
Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject. Deconstructing its key elements with astute analysis, from NBC’s adaptation of Woolrich’s The Black Angel to the anthology programs of the ’40s and ’50s, from the classic period of Dragnet, M Squad, and 77 Sunset Strip to neo-noirs of the ’60s and ’70s including The Fugitive, Kolchak, and Harry O., this is the essential volume on TV noir.
Noir—as a style, movement, or sensibility—has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called “film noir” by French cinéastes. But film isn’t the only medium with a taste for a dark story.
Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject. Deconstructing its key elements with astute analysis, from NBC’s adaptation of Woolrich’s The Black Angel to the anthology programs of the ’40s and ’50s, from the classic period of Dragnet, M Squad, and 77 Sunset Strip to neo-noirs of the ’60s and ’70s including The Fugitive, Kolchak, and Harry O., this is the essential volume on TV noir.
