Tula (Poems)
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$16.00
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Product Details
Author:
Chris Santiago, A. Van Jordan
Format:
Paperback
Pages:
96
Publisher:
Milkweed Editions (November 1, 2016)
Language:
English
ISBN-13:
9781571314888
ISBN-10:
1571314881
Weight:
6.4oz
Dimensions:
5.5" x 8.5"
Case Pack:
58
File:
PGW-LEGATO-Metadata_Only_Publishers_Group_West_Customer_Group_Metadata_20250917130145-20250918.xml
Folder:
PGW
List Price:
$16.00
As low as:
$13.76
Publisher Identifier:
P-PER
Discount Code:
C
Audience:
General/trade
Country of Origin:
United States
Pub Discount:
60
Imprint:
Milkweed Editions
Overview
Tula: a ruined Toltec capital; a Russian city known for its accordions; Tagalog for “poem.”
Prismatic, startling, rich with meaning yet sparely composed, Chris Santiago’s debut collection of poems begins with one word and transforms it, in a dazzling sleight of hand, into a multivalent symbol for the immigrant experience. Tula: Santiago reveals to readers a distant land devastated by war. Tula: its music beckons in rhythms, time signatures, and lullabies. Tula: can the poem, he seems to ask, build an imaginative bridge back to a family lost to geography, history, and a forgotten language?
Inspired by the experiences of the “blood stranger”—the second-generation immigrant who does not fully acquire the language of his parents—Tula paints the portrait of a mythic homeland that is part ghostly underworld, part unknowable paradise. Language splinters. Impossible islands form an archipelago across its landscape. A mother sings lullabies and a father works the graveyard shift in St. Paul—while in the Philippines, two dissident uncles and a grandfather send messages and telegrams from the afterlife.
Deeply ambitious, a collection that examines the shortcomings and possibilities of both language and poetry themselves, Tula announces the arrival of a major new literary talent.
Prismatic, startling, rich with meaning yet sparely composed, Chris Santiago’s debut collection of poems begins with one word and transforms it, in a dazzling sleight of hand, into a multivalent symbol for the immigrant experience. Tula: Santiago reveals to readers a distant land devastated by war. Tula: its music beckons in rhythms, time signatures, and lullabies. Tula: can the poem, he seems to ask, build an imaginative bridge back to a family lost to geography, history, and a forgotten language?
Inspired by the experiences of the “blood stranger”—the second-generation immigrant who does not fully acquire the language of his parents—Tula paints the portrait of a mythic homeland that is part ghostly underworld, part unknowable paradise. Language splinters. Impossible islands form an archipelago across its landscape. A mother sings lullabies and a father works the graveyard shift in St. Paul—while in the Philippines, two dissident uncles and a grandfather send messages and telegrams from the afterlife.
Deeply ambitious, a collection that examines the shortcomings and possibilities of both language and poetry themselves, Tula announces the arrival of a major new literary talent.
