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Traces (A Memoir)
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Product Details
Author:
Gamal al-Ghitani, Nader K. Uthman
Format:
Paperback
Pages:
246
Publisher:
The American University in Cairo Press (April 14, 2020)
Language:
English
ISBN-13:
9789774169533
ISBN-10:
9774169530
Dimensions:
6" x 9"
Case Pack:
40
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260429163341-20260429.xml
Folder:
TWO RIVERS
List Price:
$25.00
As low as:
$22.50
Publisher Identifier:
P-PER
Discount Code:
G
Audience:
General/trade
Pub Discount:
40
Weight:
12oz
Imprint:
The American University in Cairo Press
Country of Origin:
United States
Overview
One of Egypt's greatest contemporary writers reflects on life and love.
This haunting memoir, written ten years before Ghitani’s death, weaves together a series of vignettes in a style that mimics the uneven, discontinuous nature of memory itself. These fragments are summoned from across the span of a singular lifetime. We read of his childhood adventures, his erotic awakenings, his time as a political prisoner, and his reports from the battlefront in Iraq and the corridors of power in Syria. Vivid passages capture fleeting glances of strangers through car windows, flavors and scents of delicacies savored, dreams and sorrows of neighbors in the apartment blocks of Cairo before Nasser, as well as chance conversations at points of transit, in cafés, on elegant streets, and with unnamed paramours. These memories, and Ghitani’s musings on memory’s own finitude and mutability, make Traces both a memoir and a meditation on memory itself, in all its inscrutable workings and inevitable betrayals.
This haunting memoir, written ten years before Ghitani’s death, weaves together a series of vignettes in a style that mimics the uneven, discontinuous nature of memory itself. These fragments are summoned from across the span of a singular lifetime. We read of his childhood adventures, his erotic awakenings, his time as a political prisoner, and his reports from the battlefront in Iraq and the corridors of power in Syria. Vivid passages capture fleeting glances of strangers through car windows, flavors and scents of delicacies savored, dreams and sorrows of neighbors in the apartment blocks of Cairo before Nasser, as well as chance conversations at points of transit, in cafés, on elegant streets, and with unnamed paramours. These memories, and Ghitani’s musings on memory’s own finitude and mutability, make Traces both a memoir and a meditation on memory itself, in all its inscrutable workings and inevitable betrayals.








