The Vineyard (A Poem)
List Price:
$28.00
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Jonathan Galassi
Format:
Hardcover
Pages:
112
Publisher:
Knopf Doubleday Publishing Group (March 3, 2026)
Imprint:
Knopf
Language:
English
Audience:
General/trade
ISBN-13:
9780593803790
ISBN-10:
0593803795
Weight:
10.4oz
Dimensions:
6.21" x 9.29" x 0.56"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260509T233017_156236411-20260509.xml
Folder:
RandomHouse
List Price:
$28.00
Country of Origin:
United States
Pub Discount:
65
Case Pack:
24
As low as:
$21.56
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Overview
A delightful account of the seasons in a house and its garden near the sea, a domestic idyll of hardy plants and neighbors, outer and inner weather, love and loss, and taking stock of the life we’ve made
The delicious long-form poem “The Vineyard” is set in and around the quasi-fictional Long Island village of Oyster Ponds, where the poet spends the summer months. In free-flowing lines and pages that turn with the calendar, the poem unspools impressions that seem confided rather than written, as Galassi observes the “pretend peace’’ of this quiet house and garden, his oasis in the turbulence of dailiness. Themes and imagery recur, swerve, and transform as he watches the vineyard next door come alive, thrive, and die away only to return the next year, different but the same, in our time of plague, climate threat, and a culture that too often seems to attack what is enduring and fundamental.
But this book is not a complaint or a raging against the dying of the light: it is an honest record of seeing and feeling in a beloved place, of gratitude, of searching for one’s center. As the poet describes the wisteria vine that sends out suckers into the lawn and the long and complex tale of the village and its inhabitants, this modern eclogue becomes an ample container for Jonathan’s life: he’s having a chat with us about all he notices and dreams, about tending his plants and cooking and gossiping, about loving a man and aging, about his mother and Vita Sackville-West and bike-riding and having regrets. The narrative swells and touches us in its surprising turns; sometimes whole poems swim up and hold a page in the midst of its ongoing narrative, reminding us of the ways that writing can shape the quotidian.
This intimate, unhurried, and unpretentious poem of past and present will stand as the central work of Jonathan Galassi’s career.
The delicious long-form poem “The Vineyard” is set in and around the quasi-fictional Long Island village of Oyster Ponds, where the poet spends the summer months. In free-flowing lines and pages that turn with the calendar, the poem unspools impressions that seem confided rather than written, as Galassi observes the “pretend peace’’ of this quiet house and garden, his oasis in the turbulence of dailiness. Themes and imagery recur, swerve, and transform as he watches the vineyard next door come alive, thrive, and die away only to return the next year, different but the same, in our time of plague, climate threat, and a culture that too often seems to attack what is enduring and fundamental.
But this book is not a complaint or a raging against the dying of the light: it is an honest record of seeing and feeling in a beloved place, of gratitude, of searching for one’s center. As the poet describes the wisteria vine that sends out suckers into the lawn and the long and complex tale of the village and its inhabitants, this modern eclogue becomes an ample container for Jonathan’s life: he’s having a chat with us about all he notices and dreams, about tending his plants and cooking and gossiping, about loving a man and aging, about his mother and Vita Sackville-West and bike-riding and having regrets. The narrative swells and touches us in its surprising turns; sometimes whole poems swim up and hold a page in the midst of its ongoing narrative, reminding us of the ways that writing can shape the quotidian.
This intimate, unhurried, and unpretentious poem of past and present will stand as the central work of Jonathan Galassi’s career.








