The Rock Canon (Canonical Values in the Reception of Rock Albums)
List Price:
$233.99
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
CarysWyn Jones
Format:
Hardcover
Pages:
182
Publisher:
Taylor & Francis (September 19, 2008)
Imprint:
Routledge
Language:
English
ISBN-13:
9780754662440
Weight:
17.625oz
Dimensions:
6.125" x 9.1875"
File:
TAYLORFRANCIS-TayFran_261009043538701-20261009.xml
Folder:
TAYLORFRANCIS
List Price:
$233.99
Country of Origin:
United States
Pub Discount:
30
Series:
Ashgate Popular and Folk Music Series
Case Pack:
55
As low as:
$222.29
Publisher Identifier:
P-CRC
Discount Code:
H
Overview
The canon is usually considered to be an inherently elitist concept. However, Carys Wyn Jones here explores the symptomatic reflections of canonical values, terms and mechanisms from the canons of literature and classical music in the reception of rock music. She concludes that in the popular reception of rock music we are not only trying to organize the past, but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture, and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries.
