null
Loading... Please wait...
FREE SHIPPING on All Unbranded Items LEARN MORE
Print This Page

The Return of Print? (Contemporary Australian Publishing)

List Price: $29.95
SKU:
9781925495294
Quantity:
Minimum Purchase
25 unit(s)
  • Availability: Confirm prior to ordering
  • Branding: minimum 50 pieces (add’l costs below)
  • Check Freight Rates (branded products only)

Branding Options (v), Availability & Lead Times

  • 1-Color Imprint: $2.00 ea.
  • Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
  • Belly-Band Wrap: $2.50 ea. (full-color printed)
  • Set-Up Charge: $45 per decoration
FULL DETAILS
  • Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
  • Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
  • Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
  • RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
  • Product Details

    Author:
    Aaron Mannion, Emmett Stinson
    Format:
    Paperback
    Pages:
    208
    Publisher:
    Monash University Publishing (November 1, 2016)
    Imprint:
    Monash University Publishing
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9781925495294
    ISBN-10:
    1925495299
    Weight:
    9.12oz
    Dimensions:
    5.31" x 8.27" x 0.6"
    File:
    Eloquence-IPG_09262026_P10675799_onix30-20260926.xml
    Folder:
    Eloquence
    List Price:
    $29.95
    Pub Discount:
    60
    Series:
    Monash Publishing Series
    Case Pack:
    12
    As low as:
    $25.76
    Publisher Identifier:
    P-IPG
    Discount Code:
    C
  • Overview

    This collection of essays by established and emerging scholars of Australian publishing examines the industry in the wake of both the Global Financial Crisis of 2008 and the various shocks and upheavals associated with the rise of ebooks. The authors here look beyond the digital, so prominent in many considerations of contemporary publishing, to questions of the book as a material artefact. As consumer trends increasingly suggest print will remain the central medium for the global publishing industry, it is asked if the messy state of affairs existing now, after the digital revolution, can be described as ‘post-digital’. With reference to a range of cultural, economic and technological issues, these essays examine how publishers are leveraging the possibilities afforded by multiple modes of dissemination.