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The Queen of Bad Influences (Stories)

List Price: $30.00
SKU:
9780593804414
Quantity:
Minimum Purchase
25 unit(s)
Expected release date is Sep 15th 2026
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  • Product Details

    Author:
    Jim Shepard
    Format:
    Hardcover
    Pages:
    320
    Publisher:
    Knopf Doubleday Publishing Group (September 15, 2026)
    Imprint:
    Knopf
    Release Date:
    September 15, 2026
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780593804414
    ISBN-10:
    0593804414
    Weight:
    17.22oz
    Dimensions:
    5.5" x 8.25" x 0.875"
    File:
    RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260721T233000_157282161-20260721.xml
    Folder:
    RandomHouse
    List Price:
    $30.00
    Country of Origin:
    United States
    Pub Discount:
    65
    Case Pack:
    12
    As low as:
    $23.10
    Publisher Identifier:
    P-RH
    Discount Code:
    A
    QuickShip:
    Yes
  • Overview

    Twelve compressed masterworks from this great American writer of catastrophe fiction, in which lives are upended as much by broken hearts as by collapsing dams, hideously mismanaged wars, gargantuan wildfires, and apocalyptic storms

    “Jim Shepard is a fantastic writer—compassionate, funny, and fearless—[whose work] does what great writing always does: inspires us to look more closely at life, and be more caring.” —George Saunders

    "A deft, audacious artist." —Norman Rush, National Book Award-winning author of Mating


    In Richard Ford’s view, Jim Shepard’s “talent is so various and canny he can write about seemingly anything and make it thrilling to us,” and in these stories spanning six centuries we find viscerally evoked worlds as wildly diverse as a mercenary’s corner of 16th century Madrid, a young apprentice’s pre-Revolutionary Boston, and Edward Hyde’s London.  With civil engineers and destitute veterans we encounter the devastating 1935 Labor Day hurricane in Florida, and we read the 1864 letters between Lucy in Boon, North Carolina (“Three privates are currently sleeping soundly on our porch in their muddy blankets”) and her great love, William, on the march in Tennessee (“I can’t write much for it seems we are looking for a fight every minute”), while the title story introduces us to the stubborn Constance, who had “no gift for flirtation” with men, preferring Minna, her best friend and “queen of bad influences,” as their vexed devotion unfolds in part on the liner Lusitania.

    With irony, compassion, and withering humor, these stories evoke the terrible ease with which cataclysm, human-engineered or otherwise, can sweep away all we find most precious, and expose those limitations we’ve refused to address. At the same time, Shepard celebrates what is best in us: the love and friendships we sustain, and the passions and grace we grant one another.