Provenance Research Today (Principles, Practice, Problems)
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Product Details
Author:
Arthur Tompkins, Lynda Albertson, Leila Amineddoleh, Arthur Tompkins, Susan J. Cooke, Tess Davis, Amelie Ebbinghaus, Sharon Flescher, Gareth Fletcher, Andrea Lehmann, Simon Mackenzie, Jennifer Mass, Marc Masurovsky, A...
Format:
Paperback
Pages:
224
Publisher:
Lund Humphries Publishers Ltd (March 10, 2021)
Language:
English
ISBN-13:
9781848222762
ISBN-10:
1848222769
Dimensions:
6.75" x 9.5" x 0.8"
File:
Eloquence-IPG_04112026_P9948135_onix30-20260411.xml
List Price:
$49.99
As low as:
$42.99
Publisher Identifier:
P-IPG
Discount Code:
C
Weight:
20.32oz
Case Pack:
22
Audience:
General/trade
Pub Discount:
60
Imprint:
Lund Humphries Publishers Ltd
Folder:
Eloquence
Overview
Covering key aspects of provenance research for the international art market, this accessible publication, co-published with the International Foundation for Art Research (IFAR), explores a range of themes including challenges and best practice to considerations specific to Nazi looted art and the trade in illicit antiquities.
Provenance research is a crucial component of any art-market transaction. Without a provenance it is often difficult to establish a work’s authenticity, its true value or who has legal title. Whether buying, selling or simply maintaining an artwork in either a private or a public collection, the days when a blind eye could be turned to the history (or the lack of a known history) of a work have long gone. Proper, thorough and effective provenance research is the minimum required and demanded in today’s art world – a world that is increasingly recognizing the need for greater and more effective self-regulation in the face of fakes, forgeries and challenges to ownership or authenticity that are now commonplace.
Provenance Research Today is essential reading for a broad audience, from those studying to become part of the art world or professionals starting a career in provenance research, to collectors or would-be collectors, dealers, galleries, auction houses, police and art lawyers.
Provenance research is a crucial component of any art-market transaction. Without a provenance it is often difficult to establish a work’s authenticity, its true value or who has legal title. Whether buying, selling or simply maintaining an artwork in either a private or a public collection, the days when a blind eye could be turned to the history (or the lack of a known history) of a work have long gone. Proper, thorough and effective provenance research is the minimum required and demanded in today’s art world – a world that is increasingly recognizing the need for greater and more effective self-regulation in the face of fakes, forgeries and challenges to ownership or authenticity that are now commonplace.
Provenance Research Today is essential reading for a broad audience, from those studying to become part of the art world or professionals starting a career in provenance research, to collectors or would-be collectors, dealers, galleries, auction houses, police and art lawyers.
