- Home
- Social Science
- General
- The Partisan Counter-Archive (Retracing the Ruptures of Art and Memory in the Yugoslav People's Liberation Struggle)
The Partisan Counter-Archive (Retracing the Ruptures of Art and Memory in the Yugoslav People's Liberation Struggle)
List Price:
$27.99
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Gal Kirn
Format:
Paperback
Pages:
322
Publisher:
De Gruyter (July 18, 2022)
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9783110994957
ISBN-10:
311099495X
Weight:
16oz
Dimensions:
6.1" x 9.06"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260510163321-20260510.xml
Folder:
TWO RIVERS
List Price:
$27.99
Country of Origin:
Germany
Series:
Media and Cultural Memory
As low as:
$24.07
Publisher Identifier:
P-PER
Discount Code:
C
Pub Discount:
60
Imprint:
De Gruyter
Overview
Mere decades after the dissolution of Yugoslavia, the promise of European democracy seems to be out of joint. What has become of the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav context have tried to eradicate the legacy of partisan and socialist struggles, while Yugonostalgia commodifies the partisan/socialist past. It is against these dominant ‘archives’ that this book launches the partisan counter-archive, highlighting the symbolic power of artistic works that echo and envision partisan legacy and rupture. It comprises a body of works that emerged either during the people's liberation struggle or in later socialist periods, tracing a counter-archival surplus and revolutionary remainder that invents alternative protocols of remembrance and commemoration. The book covers rich (counter-)archival material – from partisan poems, graphic works and photography, to monuments and films – and ends by describing the recent revisionist un-doing of the partisan past. It contributes to the Yugoslav politico-aesthetical “history of the oppressed” as an alternative journey to the partisan past that retrieves revolutionary resources from the past for the present.








