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- The Painter and the President (Gilbert Stuart's Brush with George Washington)
The Painter and the President (Gilbert Stuart's Brush with George Washington)
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Product Details
Author:
Sarah Albee, Stacy Innerst
Format:
Hardcover
Pages:
40
Publisher:
Astra Publishing House (August 27, 2024)
Language:
English
Audience:
Children/juvenile
Age Range:
7 to 10
Grade Level:
2nd Grade to 5th Grade
ISBN-13:
9781662680007
ISBN-10:
1662680007
Weight:
17.6oz
Dimensions:
9.44" x 11.31" x 0.37"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T171753_155746877-20260405.xml
Folder:
RandomHouse
List Price:
$18.99
Country of Origin:
China
Case Pack:
24
As low as:
$14.62
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Lexile Measure:
680L
Pub Discount:
65
Imprint:
Calkins Creek
Overview
George Washington hated having his portrait painted, but as president of the United States, he knew his image needed to live on. This nonfiction picture book explores how artist Gilbert Stuart created Washington’s most lasting and recognized portrait—the one that’s used on the one-dollar bill.
George Washington and artist Gilbert Stuart didn’t always see eye-to-eye, but both men knew the importance of legacy and the power of art. Though George disliked having his portrait painted—which took days and days to complete—he knew his place in history would require people to know his face. Fortunately, Gilbert Stuart’s unique way of painting didn’t compel his subjects to sit for hours on end—in fact, he encouraged them to move around and even bring friends to chat with. Capturing the soul of each subject, his portraits were unlike any other artists’. And Gilbert Stuart’s one-of-a-kind portrait of Washington stands the test of time—it’s the one that’s used on the one-dollar bill.
George Washington and artist Gilbert Stuart didn’t always see eye-to-eye, but both men knew the importance of legacy and the power of art. Though George disliked having his portrait painted—which took days and days to complete—he knew his place in history would require people to know his face. Fortunately, Gilbert Stuart’s unique way of painting didn’t compel his subjects to sit for hours on end—in fact, he encouraged them to move around and even bring friends to chat with. Capturing the soul of each subject, his portraits were unlike any other artists’. And Gilbert Stuart’s one-of-a-kind portrait of Washington stands the test of time—it’s the one that’s used on the one-dollar bill.








