- Home
- Social Science
- Popular Culture
- The Object as a Process (Essays Situating Artistic Practice)
The Object as a Process (Essays Situating Artistic Practice)
List Price:
$55.00
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Stephan Schmidt-Wulffen, German A. Duarte
Format:
Paperback
Pages:
266
Publisher:
transcript publishing (May 2, 2023)
Imprint:
transcript publishing
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9783837661149
ISBN-10:
3837661148
Weight:
12.64oz
Dimensions:
5.83" x 8.86"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260626163509-20260627.xml
Folder:
TWO RIVERS
List Price:
$55.00
Series:
Culture & Theory
As low as:
$42.35
Publisher Identifier:
P-PER
Discount Code:
A
Country of Origin:
United States
Overview
How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement? This volume is dedicated to the object as a process in order to offer new insights into the ways the object – broadly construed, comprising digital and other non-classical objects – becomes an active element in artistic practice.








