The New Television (Video After Television)
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Product Details
Author:
Rachel Churner, Rebecca Cleman, Tyler Maxin
Format:
Hardcover
Pages:
464
Publisher:
MIT Press (December 31, 2024)
Language:
English
ISBN-13:
9781949484113
ISBN-10:
1949484114
Weight:
51.8oz
Dimensions:
7.13" x 9.88" x 1.41"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T171754_155746880-20260405.xml
Folder:
RandomHouse
List Price:
$45.00
Case Pack:
8
As low as:
$34.65
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
China
Pub Discount:
65
Imprint:
no place press
Overview
On the rich history of video art and its enduring relevance to today’s artistic and critical practices.
The New Television delves into the rich history of video art, reexamining the pivotal Open Circuits conference held at MoMA in 1974 and exploring its enduring relevance to today’s artistic and critical practices. Open Circuits was an important event in establishing video art in American museums and articulated a range of conflicting teloses for the medium, some which materialized (like local cable television) and others that remain unrealized. The conference proceedings were published in 1977 as The New Television: A Public/Private Art, and the radical design of the book reflected the conference’s utopian aims.
This two-part publication includes a facsimile of the long-out-of-print conference proceedings and new essays and discussions by over a dozen scholars and artists. The new scholarly texts and previously unpublished archival documents in The New Television illuminate the network of institutional histories of video art, consider global televisual contexts and alternative critical approaches, and examine contemporary video art and its continued relevance from new perspectives.
The New Television delves into the rich history of video art, reexamining the pivotal Open Circuits conference held at MoMA in 1974 and exploring its enduring relevance to today’s artistic and critical practices. Open Circuits was an important event in establishing video art in American museums and articulated a range of conflicting teloses for the medium, some which materialized (like local cable television) and others that remain unrealized. The conference proceedings were published in 1977 as The New Television: A Public/Private Art, and the radical design of the book reflected the conference’s utopian aims.
This two-part publication includes a facsimile of the long-out-of-print conference proceedings and new essays and discussions by over a dozen scholars and artists. The new scholarly texts and previously unpublished archival documents in The New Television illuminate the network of institutional histories of video art, consider global televisual contexts and alternative critical approaches, and examine contemporary video art and its continued relevance from new perspectives.
