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The Necessity of Art
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Product Details
Author:
Ernst Fischer, John Berger, Anna Bostock
Format:
Paperback
Pages:
272
Publisher:
Verso Books (June 14, 2010)
Language:
English
ISBN-13:
9781844675937
ISBN-10:
1844675939
Weight:
11.04oz
Dimensions:
5.5" x 8.2" x 0.5"
Case Pack:
12
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T171753_155746878-20260405.xml
As low as:
$23.06
Folder:
RandomHouse
List Price:
$29.95
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
United States
Pub Discount:
65
Imprint:
Verso
Overview
“Art is necessary in order that man should be able to recognize and change the world. But art is also necessary by virtue of the magic inherent in it.”—Ernst Fischer
Reissued with an introduction by John Berger, The Necessity of Art is a beautifully written meditation on art’s importance in viewing the world in which we live. In this wide-ranging and erudite exploration of literary and fine art, Fischer looks at the relationship between the creative imagination and social reality, arguing that truthful art must both reflect existence in all its flaws and imperfections, and help show how change and improvement might be brought about.
With his emphasis on the individual’s need to engage with society, his rejection of rampant consumerism and hypertechnology, and his indomitable optimism, this radical, affirmative and humane vision of the artistic endeavor remains as timely today as when it was first published sixty years ago.
Reissued with an introduction by John Berger, The Necessity of Art is a beautifully written meditation on art’s importance in viewing the world in which we live. In this wide-ranging and erudite exploration of literary and fine art, Fischer looks at the relationship between the creative imagination and social reality, arguing that truthful art must both reflect existence in all its flaws and imperfections, and help show how change and improvement might be brought about.
With his emphasis on the individual’s need to engage with society, his rejection of rampant consumerism and hypertechnology, and his indomitable optimism, this radical, affirmative and humane vision of the artistic endeavor remains as timely today as when it was first published sixty years ago.
