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The Man Who Shot Liberty Valance
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$19.95
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Product Details
Author:
Chris Yogerst
Format:
Paperback
Pages:
160
Publisher:
University of New Mexico Press (October 21, 2025)
Imprint:
UNM Press
Language:
English
Audience:
General/trade
ISBN-13:
9780826368386
ISBN-10:
0826368387
Weight:
4.8oz
Dimensions:
5" x 7" x 0.7"
File:
Eloquence-SimonSchuster_07202026_P10355753_onix30-20260719.xml
Folder:
Eloquence
List Price:
$19.95
Pub Discount:
65
Series:
Reel West Series
Case Pack:
64
As low as:
$15.36
Publisher Identifier:
P-SS
Discount Code:
A
Overview
A new offering in the nascent Reel West film history series that focuses on that quintessentially American cinematic art form, the western.
Few lines of movie dialogue have had greater impact than the most famous line from John Ford’s 1962 masterpiece The Man Who Shot Liberty Valance: “This is the West, sir. When the legend becomes fact, print the legend.” Although critics of the day did not realize its magnitude, with time The Man Who Shot Liberty Valance has become cemented in our popular culture. This film connects to nearly every Western before or after, from Ford’s own Stagecoach (1939) to Clint Eastwood’s Unforgiven (1992).
Coming six years after The Searchers, Ford’s other great late-career masterpiece, The Man Who Shot Liberty Valance may be even more archetypal of a changing West. In this first-ever book on the subject, Chris Yogerst unpacks one of the signature films of the post-classic Western period and one of the greatest works of director John Ford and actors John Wayne, James Stewart, Lee Marvin, and Woody Strode.
Few lines of movie dialogue have had greater impact than the most famous line from John Ford’s 1962 masterpiece The Man Who Shot Liberty Valance: “This is the West, sir. When the legend becomes fact, print the legend.” Although critics of the day did not realize its magnitude, with time The Man Who Shot Liberty Valance has become cemented in our popular culture. This film connects to nearly every Western before or after, from Ford’s own Stagecoach (1939) to Clint Eastwood’s Unforgiven (1992).
Coming six years after The Searchers, Ford’s other great late-career masterpiece, The Man Who Shot Liberty Valance may be even more archetypal of a changing West. In this first-ever book on the subject, Chris Yogerst unpacks one of the signature films of the post-classic Western period and one of the greatest works of director John Ford and actors John Wayne, James Stewart, Lee Marvin, and Woody Strode.
