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The Horizontal Man - 9781598536317
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Product Details
Author:
Helen Eustis, Charles Finch
Format:
Paperback
Pages:
318
Publisher:
Library of America (July 14, 2020)
Language:
English
ISBN-13:
9781598536317
ISBN-10:
1598536311
Weight:
8.4oz
Dimensions:
4.86" x 7.83" x 0.8"
Case Pack:
24
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260705T120112_156890261-20260705.xml
Folder:
RandomHouse
List Price:
$14.95
As low as:
$11.51
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
United States
Pub Discount:
65
Imprint:
Library of America
Overview
A philandering professor on the faculty of an Ivy League school is found murdered, setting off ripple effects of anxiety, suspicion, and panic in this Edgar Award-winning classic from 1946.
The Horizontal Man was Helen Eustis's only crime novel, and she won an Edgar Award for it, combining a wildly disparate set of elements into an enduringly fascinating work. In its way it is a classical whodunit that stands comparison with old-school practitioners such as Agatha Christie or Dorothy Sayers. This mystery transpires in the rarefied precincts of the English department of a venerable New England college, one very much of the restless postwar moment, echoing with references to Freud and Kafka. Eustis finds comedy high and low in a cavalcade of characters bursting at the seams with repressed sexual longings and simmering malice. Beyond the satire, she stirs up--with a narrative whose multiple viewpoints give the book a striking modernistic edge--a troubling sense of the mental chaos lurking just beneath the civilized surfaces of her academic setting.
The Horizontal Man was Helen Eustis's only crime novel, and she won an Edgar Award for it, combining a wildly disparate set of elements into an enduringly fascinating work. In its way it is a classical whodunit that stands comparison with old-school practitioners such as Agatha Christie or Dorothy Sayers. This mystery transpires in the rarefied precincts of the English department of a venerable New England college, one very much of the restless postwar moment, echoing with references to Freud and Kafka. Eustis finds comedy high and low in a cavalcade of characters bursting at the seams with repressed sexual longings and simmering malice. Beyond the satire, she stirs up--with a narrative whose multiple viewpoints give the book a striking modernistic edge--a troubling sense of the mental chaos lurking just beneath the civilized surfaces of her academic setting.
