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The First Pop Age (Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha)

List Price: $37.00
SKU:
9780691160986
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  • Product Details

    Author:
    Hal Foster
    Format:
    Paperback
    Pages:
    352
    Publisher:
    Princeton University Press (February 23, 2014)
    Imprint:
    Princeton University Press
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780691160986
    ISBN-10:
    0691160988
    Weight:
    25.6oz
    Dimensions:
    6" x 8.25"
    File:
    PrincetonUniversityPress-Metadata_Only_Princeton_University_Press_Metadata_20250719062448-20250719.xml
    Folder:
    PrincetonUniversityPress
    List Price:
    $37.00
    Country of Origin:
    United States
    Pub Discount:
    37
    Case Pack:
    26
    As low as:
    $35.15
    Publisher Identifier:
    P-MISC
    Discount Code:
    H
  • Overview

    A compelling take on Pop art from esteemed critic Hal Foster

    Who branded painting in the Pop age more brazenly than Richard Hamilton, Roy Lichtenstein, Andy Warhol, Gerhard Richter, and Ed Ruscha? And who probed the Pop revolution in image and identity more intensely than they? In The First Pop Age, leading critic and historian Hal Foster presents an exciting new interpretation of Pop art through the work of these Pop Five.

    Beautifully illustrated in color throughout, the book reveals how these seminal artists hold on to old forms of art while drawing on new subjects of media; how they strike an ambiguous attitude toward both high art and mass culture; and how they suggest that a heightened confusion between images and people is definitive of Pop culture at large.

    As The First Pop Age looks back to the early years of Pop art, it also raises important questions about the present: What has changed in the look of screened and scanned images today? Is our media environment qualitatively different from that described by Warhol and company? Have we moved beyond the Pop age, or do we live in its aftermath?

    A masterful account of one of the most important periods of twentieth-century art, this is a book that also sheds new light on our complex relationship to images today.