null
Loading... Please wait...
FREE SHIPPING on All Unbranded Items LEARN MORE
Print This Page

The 'do-it-yourself' artwork (Participation from Fluxus to New Media)

List Price: $29.95
SKU:
9780719087479
Quantity:
Minimum Purchase
25 unit(s)
  • Availability: Confirm prior to ordering
  • Branding: minimum 50 pieces (add’l costs below)
  • Check Freight Rates (branded products only)

Branding Options (v), Availability & Lead Times

  • 1-Color Imprint: $2.00 ea.
  • Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
  • Belly-Band Wrap: $2.50 ea. (full-color printed)
  • Set-Up Charge: $45 per decoration
FULL DETAILS
  • Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
  • Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
  • Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
  • RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
  • Product Details

    Author:
    Anna Dezeuze
    Format:
    Paperback
    Pages:
    328
    Publisher:
    Manchester University Press (May 30, 2012)
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780719087479
    ISBN-10:
    0719087473
    Weight:
    16.16oz
    Dimensions:
    6.14" x 9.21" x 0.69"
    File:
    TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260422163537-20260422.xml
    Folder:
    TWO RIVERS
    List Price:
    $29.95
    Country of Origin:
    United Kingdom
    Pub Discount:
    65
    Series:
    Rethinking Art's Histories
    Case Pack:
    20
    As low as:
    $23.06
    Publisher Identifier:
    P-PER
    Discount Code:
    A
    Imprint:
    Manchester University Press
  • Overview

    Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer’s experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you – the viewer - are invited to ‘do it yourself.’

    Rather than a specialist topic in the history of twentieth- and twenty-first century art, the ‘do-it-yourself’ artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.