- Home
- Social Science
- Sociology
- The Disguise (Poems 1977-2001)
The Disguise (Poems 1977-2001)
List Price:
$20.99
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Christopher Reid, Charles Boyle
Format:
Paperback
Pages:
160
Publisher:
Carcanet Press Ltd. (April 29, 2021)
Language:
English
ISBN-13:
9781800170285
ISBN-10:
1800170289
Weight:
6.72oz
Dimensions:
5.5" x 8.5" x 0.5"
Case Pack:
24
File:
Eloquence-IPG_03192026_P9854863_onix30_Complete-20260319.xml
Folder:
Eloquence
List Price:
$20.99
As low as:
$18.05
Publisher Identifier:
P-IPG
Discount Code:
C
Audience:
Professional and scholarly
Pub Discount:
60
Imprint:
Carcanet Press Ltd.
Overview
The acclaimed poet Christopher Reid distils Charles Boyle's six books of poems into The Disguise: Poems 1977-2001, recovering a notable one-time poet, now known as a publisher and writer of fiction and non-fiction, from poetic neglect. Charles Boyle established a reputation as a sharp, wry, disabused observer of social mores. Paleface, published by Faber, was shortlisted for the Forward Prize, and The Age of Cardboard and String, also from Faber, was shortlisted for the T.S. Eliot Prize and the Whitbread Award. But in 2001 the well ran dry. Since the first year of the twenty-first century he has not put poetic pen to paper even once. The poems remain vital and fascinating, but they have about them also a kind of archaic cast: here we find the quintessential white male Englishness from the late twentieth century on display as if in a museum. Here too is the excitement of abroad (North Africa especially), and there are ghosts, absences, exile, and evasions: in hindsight, these poems offer clues to their own disappearance after thirty notable years spent partly in the sun.








