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The Culture of Cursilería (Bad Taste, Kitsch, and Class in Modern Spain)

List Price: $39.95
SKU:
9780822329978
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  • Product Details

    Author:
    Noël Valis
    Format:
    Paperback
    Pages:
    424
    Publisher:
    Duke University Press (January 16, 2003)
    Imprint:
    Duke University Press
    Language:
    English
    ISBN-13:
    9780822329978
    ISBN-10:
    0822329972
    Weight:
    124oz
    Dimensions:
    6" x 9.25"
    File:
    TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20250917125826-20250919.xml
    Folder:
    TWO RIVERS
    List Price:
    $39.95
    Country of Origin:
    United States
    As low as:
    $30.76
    Publisher Identifier:
    P-PER
    Discount Code:
    A
    Pub Discount:
    46
    Case Pack:
    5
  • Overview

    Not easily translated, the Spanish terms cursi and cursilería refer to a cultural phenomenon widely prevalent in Spanish society since the nineteenth century. Like "kitsch," cursi evokes the idea of bad taste, but it also suggests one who has pretensions of refinement and elegance without possessing them. In The Culture of Cursilería, Noël Valis examines the social meanings of cursi, viewing it as a window into modern Spanish history and particularly into the development of middle-class culture.

    Valis finds evidence in literature, cultural objects, and popular customs to
    argue that cursilería has its roots in a sense of cultural inadequacy felt by the lower middle classes in nineteenth- and early-twentieth-century Spain. The Spain of this era, popularly viewed as the European power most resistant to economic and social modernization, is characterized by Valis as suffering from nostalgia for a bygone, romanticized society that structured itself on strict class delineations. With the development of an economic middle class during the latter half of the nineteenth century, these designations began to break down, and individuals across all levels of the middle class exaggerated their own social status in an attempt to protect their cultural capital. While the resulting manifestations of cursilería were often provincial, indeed backward, the concept was—and still is—closely associated with a sense of home. Ultimately, Valis shows how cursilería embodied the disparity between old ways and new, and how in its awkward manners, airs of pretension, and graceless anxieties it represents Spain's uneasy surrender to the forces of modernity.

    The Culture of Cursiler
    ía will interest students and scholars of Latin America, cultural studies, Spanish literature, and modernity.