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The Critical Reception of Hemingway's <I>The Sun Also Rises</I>
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Product Details
Author:
Peter Hays
Format:
Hardcover
Pages:
358
Publisher:
Boydell & Brewer Inc. (November 15, 2011)
Imprint:
Camden House
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9781571133663
ISBN-10:
1571133666
Weight:
25.6oz
Dimensions:
6" x 9"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20261002163405-20261002.xml
Folder:
TWO RIVERS
List Price:
$190.00
Country of Origin:
United States
Series:
Literary Criticism in Perspective
As low as:
$146.30
Publisher Identifier:
P-PER
Discount Code:
A
Case Pack:
16
Overview
Changing critical views of Hemingway's great novel of the Lost Generation, from publication to the present.
In the eight decades since its publication, Hemingway's The Sun Also Rises, like a Rorschach blot, has measured not only critics' opinions of Hemingway but also the critical temper of the times. An initial reviewer saw thebook as a satire on American expatriates, an unflattering portrait of wastrels and a nymphomaniac wandering Europe. Other critics of the time saw it as a reflection of post-First World War malaise, inscribing for history the LostGeneration - those critics, that is, who took it as a serious literary effort and did not simply dismiss it as pornographic, as Hemingway's own parents did. Since then the novel has been interpreted, variously, as a study of an impotent man's existential dilemma, re-read as a modern-day version of the Fisher King myth, attacked by feminist critics as the macho diatribe of a misogynist, and, most recently, seen as a study of gender roles and the performanceof masculinity. There is no other book that surveys the entire span of The Sun Also Rises criticism, documents the fashionable waves in which criticism has traveled, and points out how each age interprets the novel to suititself, reflecting the cultural concerns of the moment.
Peter Hays is Emeritus Professor of English at the University of California, Davis.
In the eight decades since its publication, Hemingway's The Sun Also Rises, like a Rorschach blot, has measured not only critics' opinions of Hemingway but also the critical temper of the times. An initial reviewer saw thebook as a satire on American expatriates, an unflattering portrait of wastrels and a nymphomaniac wandering Europe. Other critics of the time saw it as a reflection of post-First World War malaise, inscribing for history the LostGeneration - those critics, that is, who took it as a serious literary effort and did not simply dismiss it as pornographic, as Hemingway's own parents did. Since then the novel has been interpreted, variously, as a study of an impotent man's existential dilemma, re-read as a modern-day version of the Fisher King myth, attacked by feminist critics as the macho diatribe of a misogynist, and, most recently, seen as a study of gender roles and the performanceof masculinity. There is no other book that surveys the entire span of The Sun Also Rises criticism, documents the fashionable waves in which criticism has traveled, and points out how each age interprets the novel to suititself, reflecting the cultural concerns of the moment.
Peter Hays is Emeritus Professor of English at the University of California, Davis.
