null
Loading... Please wait...
FREE SHIPPING on All Unbranded Items LEARN MORE
Print This Page

the clarity of distant things

List Price: $18.99
SKU:
9781800171596
Quantity:
Minimum Purchase
25 unit(s)
  • Availability: Confirm prior to ordering
  • Branding: minimum 50 pieces (add’l costs below)
  • Check Freight Rates (branded products only)

Branding Options (v), Availability & Lead Times

  • 1-Color Imprint: $2.00 ea.
  • Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
  • Belly-Band Wrap: $2.50 ea. (full-color printed)
  • Set-Up Charge: $45 per decoration
FULL DETAILS
  • Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
  • Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
  • Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
  • RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
  • Product Details

    Author:
    Jane Duran
    Format:
    Paperback
    Pages:
    104
    Publisher:
    Carcanet Press Ltd. (November 25, 2021)
    Language:
    English
    ISBN-13:
    9781800171596
    ISBN-10:
    1800171595
    Weight:
    2.24oz
    Dimensions:
    5.5" x 8.5" x 0.3"
    File:
    Eloquence-IPG_05092026_P10064967_onix30-20260509.xml
    Folder:
    Eloquence
    List Price:
    $18.99
    Case Pack:
    40
    As low as:
    $16.33
    Publisher Identifier:
    P-IPG
    Discount Code:
    C
    Audience:
    General/trade
    Pub Discount:
    60
    Imprint:
    Carcanet Press Ltd.
  • Overview

    Jane Duran's new book of two striking sequences takes readers into other worlds—'gridlines,' in which the life and paintings of Agnes Martin are interwoven, and 'miniatures of al-Andalus' inspired by the illuminated Cantigas de Santa María and the art and artefacts of Islamic Iberia. The simple gridlines of Duran's couplets recall Martin's square canvasses, her precisely rendered grids and luminous stripes. Responding to individual images and to Martin's own biography, discovering lovely breaths of life entering the 'grey rectangles,' the poems' intricate interlockings and brilliant images seem almost to escape the poems' formal enclosures, so that Martin's 'The Peach 1964,' 'gave me back // only beige, graphite, / ink, sanity // and orchard after orchard.'