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The Architecture and Writings of E.S. Prior (Challenging the Arts and Crafts)

List Price: $99.99
SKU:
9781848227224
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Expected release date is Sep 1st 2026
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  • Product Details

    Author:
    David Valinsky, Dan Cruickshank
    Format:
    Hardcover
    Pages:
    272
    Publisher:
    Lund Humphries Publishers Ltd (September 1, 2026)
    Imprint:
    Lund Humphries Publishers Ltd
    Release Date:
    September 1, 2026
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9781848227224
    ISBN-10:
    1848227221
    Weight:
    18oz
    Dimensions:
    8.25" x 10.25"
    File:
    Eloquence-IPG_03192026_P9854863_onix30_Complete-20260319.xml
    List Price:
    $99.99
    Pub Discount:
    60
    Series:
    Architectural History of the British Isles
    As low as:
    $85.99
    Publisher Identifier:
    P-IPG
    Discount Code:
    C
    Folder:
    Eloquence
  • Overview

    Edward Schröder Prior (1852-1932) is not easily labelled. His reputation as an Arts and Crafts architect is well-earned but his output is much broader and more complex, offering a fascinating window into the debates surrounding English architectural and design culture around the turn of the 20th century. This book brings together the various strands of his work to present a far more complex, holistic understanding of his particularly rich and insightful thinking and his creative approaches.

    A contemporary and close friend of C.F.A. Voysey and W.R. Lethaby, as well as C.R. Ashbee and Ernest Gimson, Prior was perhaps most famous in his lifetime for his writings, including his books and articles on English medieval art, and as Slade Professor of Art at Cambridge University, where he set up the first architecture course. In subsequent decades, his writings have been upstaged by his original, innovative and varied architecture, with his best-known building, St Andrew’s, Roker (Sunderland), dubbed the ’cathedral’ of the Arts and Crafts movement.

    When taken together, Prior’s writings and architecture demonstrate the complexities and contradictions inherent in his work, as well as contemporary and visual cultures. The topics which were at the heart of his work – the conflicts between architecture as a creative process, a profession and a business; the translation of design intentions through a project; the challenge of representing architecture to clients and the public; the position and treatment of architecture students in practices; the nature of work in ‘historic’ buildings – make fascinating reading for anyone with an interest in architectural and visual culture, then and now.