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Still Life with Two Dead Peacocks and a Girl (Poems)

List Price: $17.00
SKU:
9781555978068
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  • Product Details

    Author:
    Diane Seuss
    Format:
    Paperback
    Pages:
    120
    Publisher:
    Graywolf Press (May 1, 2018)
    Language:
    English
    ISBN-13:
    9781555978068
    ISBN-10:
    1555978061
    Weight:
    8.16oz
    Case Pack:
    40
    File:
    Macmillan Trade-Macmillan_Print_US_Trade_20260316161400-20260317.xml
    Folder:
    Macmillan Trade
    List Price:
    $17.00
    As low as:
    $13.09
    Publisher Identifier:
    P-STM
    Discount Code:
    A
    Audience:
    General/trade
    Dimensions:
    7" x 8.95" x 0.35"
    QuickShip:
    Yes
    Pub Discount:
    65
    Imprint:
    Graywolf Press
  • Overview

    Diane Seuss’s brilliant follow-up to Four-Legged Girl, a finalist for the Pulitzer Prize for Poetry

    Still life with stack of bills phone cord cig butt and freezer-burned Dreamsicle
    Still life with Easter Bunny twenty caged minks and rusty meat grinder
    Still life with whiskey wooden leg two potpies and a dead parakeet
    Still life with pork rinds pickled peppers and the Book of Revelation
    Still life with feeding tube oxygen half-eaten raspberry Zinger
    Still life with convenience store pecking order shotgun blast to the face

    —from “American Still Lives”

    Still Life with Two Dead Peacocks and a Girl takes its title from Rembrandt’s painting, a dark emblem of femininity, violence, and the viewer’s own troubled gaze. In Diane Seuss’s new collection, the notion of the still life is shattered and Rembrandt’s painting is presented across the book in pieces—details that hide more than they reveal until they’re assembled into a whole. With invention and irreverence, these poems escape gilded frames and overturn traditional representations of gender, class, and luxury. Instead, Seuss invites in the alienated, the washed-up, the ugly, and the freakish—the overlooked many of us who might more often stand in a Walmart parking lot than before the canvases of Pollock, O’Keeffe, and Rothko. Rendered with precision and profound empathy, this extraordinary gallery of lives in shards shows us that “our memories are local, acute, and unrelenting.”