- Home
- History
- Social History
- Still Laughing (How the Sitcom Kept Britain Smiling in the ‘80s)
Still Laughing (How the Sitcom Kept Britain Smiling in the ‘80s)
| Expected release date is Jan 26th 2027 |
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Overview
Still Laughing is a lively, deeply nostalgic exploration of the golden age of the 1980s British sitcom. From Only Fools and Horses, Blackadder and Yes Minister to Red Dwarf and The Young Ones, Robert Sellers revisits the comedies that defined a turbulent decade shaped by Thatcherism, social change and the arrival of Channel 4.
As politics grew sharper, so too did sitcom. Bread and Desmond’s captured working-class and Black British life with new confidence, while Executive Stress, Girls on Top and Birds of a Feather showcased complex, ambitious roles for women. Alternative comedy broke through, reshaping the tone of television humor for good.
Still Laughing explores these famous shows, bringing back a host of memories in the process. It also spotlights the shows we’ve forgotten – in most cases for good reason. Rich with behind-the-scenes insight and sharp commentary, it is both a joyful return to appointment-to-view television and a fresh appraisal of a transformative era in British comedy.
This is nostalgia with a capital N, an oral history, the last word, but also a slice of TV history and an affectionate salute to those shows that so many of us grew up with.









