Spectral Evidence (Poems)
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$28.00
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Product Details
Author:
Gregory Pardlo
Format:
Hardcover
Pages:
128
Publisher:
Knopf Doubleday Publishing Group (January 30, 2024)
Language:
English
ISBN-13:
9781524731786
ISBN-10:
1524731781
Weight:
10.2oz
Dimensions:
6.25" x 8.7" x 0.58"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T170653_155746833-20260405.xml
Folder:
RandomHouse
List Price:
$28.00
Case Pack:
12
As low as:
$21.56
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
Canada
Pub Discount:
65
Imprint:
Knopf
Overview
A powerful meditation on Blackness, beauty, faith, and the force of law, from the beloved award-winning author of Digest and Air Traffic
Elegant, profound, and intoxicating—Spectral Evidence, Gregory Pardlo’s first major collection of poetry after winning the Pulitzer Prize for Digest, moves fluidly among considerations of the pro-wrestler Owen Hart; Tituba, the only Black woman to be accused of witchcraft during the Salem witch trials; MOVE, the movement and militant separatist group famous for its violent stand-offs with the Philadelphia Police Department (“flames rose like orchids . . . / blocks lay open like egg cartons”); and more.
At times cerebral and at other times warm, inviting and deeply personal, Spectral Evidence compels us to consider how we think about devotion, beauty and art; about the criminalization and death of Black bodies; about justice—and about how these have been inscribed into our present, our history, and the Western canon: “If I could be / the forensic dreamer / . . . / . . . my art would be a mortician’s / paints.”
Elegant, profound, and intoxicating—Spectral Evidence, Gregory Pardlo’s first major collection of poetry after winning the Pulitzer Prize for Digest, moves fluidly among considerations of the pro-wrestler Owen Hart; Tituba, the only Black woman to be accused of witchcraft during the Salem witch trials; MOVE, the movement and militant separatist group famous for its violent stand-offs with the Philadelphia Police Department (“flames rose like orchids . . . / blocks lay open like egg cartons”); and more.
At times cerebral and at other times warm, inviting and deeply personal, Spectral Evidence compels us to consider how we think about devotion, beauty and art; about the criminalization and death of Black bodies; about justice—and about how these have been inscribed into our present, our history, and the Western canon: “If I could be / the forensic dreamer / . . . / . . . my art would be a mortician’s / paints.”
