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Species of Spaces and Other Pieces
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Product Details
Author:
Georges Perec, John Sturrock, John Sturrock, John Sturrock
Format:
Paperback
Pages:
320
Publisher:
Penguin Publishing Group (March 20, 2008)
Language:
English
ISBN-13:
9780141442242
ISBN-10:
0141442247
Weight:
8.4oz
Dimensions:
5.16" x 7.77" x 0.72"
Case Pack:
32
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260705T122603_156890388-20260705.xml
Folder:
RandomHouse
As low as:
$15.40
List Price:
$20.00
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
United Kingdom
Pub Discount:
65
Imprint:
Penguin Classics
Overview
“One of the most significant literary personalities in the world.”—Italo Calvino
Georges Perec, author of the highly acclaimed Life: A User’s Manual, was only forty-six when he died in 1982. Despite a tragic childhood, during which his mother was deported to Auschwitz, Perec produced some of the most entertaining essays of the age. His literary output was deliberately varied in form and style and this generous selection of Perec’s non-fictional work, the first to appear in English, demonstrates his characteristic lightness of touch, wry humor, and accessibility.
As he contemplates the many ways in which we occupy the space around us, as he depicts the commonplace items with which we are familiar in a startling, engrossing way, as he recounts his psychoanalysis while remaining reticent about his feelings or depicts the Paris of his childhood without a trace of sentimentality, we become aware that we are in the presence of a remarkable, virtuoso writer.
Georges Perec, author of the highly acclaimed Life: A User’s Manual, was only forty-six when he died in 1982. Despite a tragic childhood, during which his mother was deported to Auschwitz, Perec produced some of the most entertaining essays of the age. His literary output was deliberately varied in form and style and this generous selection of Perec’s non-fictional work, the first to appear in English, demonstrates his characteristic lightness of touch, wry humor, and accessibility.
As he contemplates the many ways in which we occupy the space around us, as he depicts the commonplace items with which we are familiar in a startling, engrossing way, as he recounts his psychoanalysis while remaining reticent about his feelings or depicts the Paris of his childhood without a trace of sentimentality, we become aware that we are in the presence of a remarkable, virtuoso writer.
