- Home
- Performing Arts
- Film & Video
- Speaking in Subtitles (Revaluing Screen Translation)
Speaking in Subtitles (Revaluing Screen Translation)
List Price:
$33.95
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Tessa Dwyer
Format:
Paperback
Pages:
240
Publisher:
Edinburgh University Press (November 14, 2018)
Imprint:
Edinburgh University Press
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9781474440998
ISBN-10:
1474440991
Weight:
9.76oz
Dimensions:
6.14" x 9.21"
File:
TWO RIVERS-PERSEUS-Perseus_Distribution_Customer_Group_Metadata_20260106204136-20260108.xml
Folder:
TWO RIVERS
List Price:
$33.95
Pub Discount:
65
Case Pack:
32
As low as:
$26.14
Publisher Identifier:
P-PER
Discount Code:
A
Country of Origin:
United States
Overview
Over 6000 different languages are used in the world today, but the conventions of ‘media speak’ are far from universal and the complexities of translation are rarely acknowledged by the industry, audiences or scholars. Redressing this neglect, Speaking in Subtitles argues that the specific contingencies of translation are vital to screen media’s global storytelling. Looking at a range of examples, from silent era intertitling to contemporary crowdsourced subtitling, and from avant-garde dubbing to the increasing practice of ‘fansubbing’, Tessa Dwyer proposes that screen media itself is a fundamentally ‘translational’ field.
