Spanish Art in Britain and Ireland, 1750-1920 (Studies in Reception in Memory of Enriqueta Harris Frankfort)
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Product Details
Author:
N Glendinning, Hilary Macartney, Enriqueta Harris, Hilary Macartney, Jeremy Roe, Marjorie Trusted, N Glendinning, Sarah Symmons
Format:
Hardcover
Pages:
344
Publisher:
Boydell & Brewer Inc. (January 20, 2011)
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9781855662230
ISBN-10:
185566223X
Weight:
53.6oz
Dimensions:
8.66" x 10.87"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20250917125524-20250918.xml
Folder:
TWO RIVERS
List Price:
$65.00
Country of Origin:
United Kingdom
Pub Discount:
40
Case Pack:
9
As low as:
$58.50
Publisher Identifier:
P-PER
Discount Code:
G
Imprint:
Tamesis Books
Overview
From the Golden Age to Goya.
This is the first study wholly devoted to reception of Spanish art in Britain and Ireland. Examining the extent and sources of knowledge of Spanish art in the British Isles during an age of increasing contact, particularly in theaftermath of the Peninsular War, it contains contributions by leading scholars, including reprints of three essays by Enriqueta Harris Frankfort, to whose memory this book is dedicated.
Focusing on Spanish art from the Golden Age to Goya, these studies chart the growth in understanding and appreciation of the Spanish School, and its punctuation by controversies and continuing distrust of religious images in Protestant Britain, as well as by the successive `discoveries' of individual artists - Murillo, Velázquez, Ribera, Zurbarán, El Greco and Goya. The book publishes important new research on art importation, collecting and dealing, and discusses the increase in access to andscholarship on works of art, including their reproduction through both traditional prints and copies and the newly invented photographic methods. It also considers for the first time the role of women in reflecting taste for thearts of Spain. It is richly illustrated with 17 colour and 54 black and white illustrations.
NIGEL GLENDINNING is Emeritus Professor of Spanish and Fellow of Queen Mary University of London.
HILARY MACARTNEY isHonorary Research Fellow of the Institute for Art History, University of Glasgow. Contributors: NIGEL GLENDINNING, HILARY MACARTNEY, JEREMY ROE, SARAH SYMMONS, MARJORIE TRUSTED, ENRIQUETA HARRIS FRANKFORT
This is the first study wholly devoted to reception of Spanish art in Britain and Ireland. Examining the extent and sources of knowledge of Spanish art in the British Isles during an age of increasing contact, particularly in theaftermath of the Peninsular War, it contains contributions by leading scholars, including reprints of three essays by Enriqueta Harris Frankfort, to whose memory this book is dedicated.
Focusing on Spanish art from the Golden Age to Goya, these studies chart the growth in understanding and appreciation of the Spanish School, and its punctuation by controversies and continuing distrust of religious images in Protestant Britain, as well as by the successive `discoveries' of individual artists - Murillo, Velázquez, Ribera, Zurbarán, El Greco and Goya. The book publishes important new research on art importation, collecting and dealing, and discusses the increase in access to andscholarship on works of art, including their reproduction through both traditional prints and copies and the newly invented photographic methods. It also considers for the first time the role of women in reflecting taste for thearts of Spain. It is richly illustrated with 17 colour and 54 black and white illustrations.
NIGEL GLENDINNING is Emeritus Professor of Spanish and Fellow of Queen Mary University of London.
HILARY MACARTNEY isHonorary Research Fellow of the Institute for Art History, University of Glasgow. Contributors: NIGEL GLENDINNING, HILARY MACARTNEY, JEREMY ROE, SARAH SYMMONS, MARJORIE TRUSTED, ENRIQUETA HARRIS FRANKFORT
