- Home
- Photography
- Techniques
- So Present, So Invisible (Conversations on Photography)
So Present, So Invisible (Conversations on Photography)
List Price:
$29.99
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
David Campany, Jeff Wall, Susan Meiselas
Format:
Hardcover
Pages:
256
Publisher:
Contrasto (March 26, 2019)
Language:
English
Audience:
General/trade
ISBN-13:
9788869657412
ISBN-10:
8869657418
Dimensions:
5.9" x 8.3"
File:
CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20231010141800-20231012-1.xml
Folder:
CONSORTIUM
List Price:
$29.99
Case Pack:
18
As low as:
$25.79
Publisher Identifier:
P-PER
Discount Code:
C
Overview
There is a lot of casual chat about photography, just
as there is a lot of casual photography. But there have
always been articulate voices, able to see past the obvious,
around the distracting, and through the trivial
to say something about the more profound aspects of
the medium. Many of those voices have belonged to
image makers.
The critic and exhibitions curator David Campany,
often invited by photographers and museums to
write about their practice during his career, talked
with world-class artists – Adam Broomberg and Oliver
Chanarin, Daniel Blaufuks, Robert Cumming,
LaToya Ruby Frazier, Lewis Baltz, John Stezaker,
Paul Graham, Rut Blees Luxemburg, Jeff Wall, Lucas
Blalock, Susan Meiselas, Victor Burgin, William
Klein, Stephen Shore – to interrogate them about
their past, the various creative phases they crossed
over, and above all their rapport with photographic
medium and reality. That is why these conversations
transcend the dimension of the simple interview to
reveal the close connection between art and author
photography, between photography and the world,
between thought and speech.
Because, as noted by the author in his introduction,
“whether long or short, nearly all these conversations
were open-ended. Neither party knew where
we might be going or where things would end up. For
me, that is always the real value of a conversation, as
opposed to an interview (or a questionnaire). There is
risk and excitement, a sense of mutual exploration
and speculation”.








