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Sherlock Holmes and the Real Thing - 9781613168158
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$16.95
| Expected release date is Aug 25th 2026 |
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Product Details
Author:
Nicholas Meyer
Format:
Paperback
Pages:
264
Publisher:
The Mysterious Press (August 25, 2026)
Imprint:
The Mysterious Press
Release Date:
August 25, 2026
Language:
English
Audience:
General/trade
ISBN-13:
9781613168158
ISBN-10:
1613168152
Weight:
7.41oz
Dimensions:
5.5" x 8.25"
File:
Eloquence-SimonSchuster_07042026_P10292974_onix30_Complete-20260704.xml
Folder:
Eloquence
List Price:
$16.95
Pub Discount:
65
Case Pack:
40
As low as:
$13.05
Publisher Identifier:
P-SS
Discount Code:
A
Overview
Sherlock Holmes and Dr. Watson delve into the world of art forgery in this new historical mystery from the author of Sherlock Holmes and the Telegram from Hell.
London, 189–: The great city is brought to a standstill by a series of blizzards and Sherlock Holmes is bored to distraction. It would take a miracle to bring a case to the detective’s door. . .
What arrives is not promising: a landlady who complains her artist tenant is behind on rent. Not exactly the miracle for which Holmes was hoping. But, next thing you know, there are several corpses and Sherlock Holmes and his biographer, John H. Watson, MD, find themselves drawn into one of the most bizarre cases of the great detective’s career. And into the cutthroat big business of Art, where chicanery and mendacity (and cut throats) proliferate.
What makes a work of art worth killing for? Is it the artist, his mistress, his dealer, or his blackmailer? The cast of characters is large. But are they perpetrators, accomplices, or victims? And just who is Juliet Packwood, with whom Watson has become infatuated?
Oh, and there’s one other problem: Is this a genuine Holmes case or a clever forgery? Is this the real thing?
If you can’t tell the difference, what is the difference?
London, 189–: The great city is brought to a standstill by a series of blizzards and Sherlock Holmes is bored to distraction. It would take a miracle to bring a case to the detective’s door. . .
What arrives is not promising: a landlady who complains her artist tenant is behind on rent. Not exactly the miracle for which Holmes was hoping. But, next thing you know, there are several corpses and Sherlock Holmes and his biographer, John H. Watson, MD, find themselves drawn into one of the most bizarre cases of the great detective’s career. And into the cutthroat big business of Art, where chicanery and mendacity (and cut throats) proliferate.
What makes a work of art worth killing for? Is it the artist, his mistress, his dealer, or his blackmailer? The cast of characters is large. But are they perpetrators, accomplices, or victims? And just who is Juliet Packwood, with whom Watson has become infatuated?
Oh, and there’s one other problem: Is this a genuine Holmes case or a clever forgery? Is this the real thing?
If you can’t tell the difference, what is the difference?
