Self-Reference in Literature and Music
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Product Details
Author:
Walter Bernhart, Werner Wolf
Format:
Paperback
Pages:
200
Publisher:
Brill (January 1, 2010)
Imprint:
Brill
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9789042031586
ISBN-10:
9042031581
Weight:
11.2oz
Dimensions:
6.1" x 9.25"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260319172121-20260319.xml
Folder:
TWO RIVERS
List Price:
$82.00
Country of Origin:
Netherlands
Series:
Word and Music Studies
As low as:
$63.14
Publisher Identifier:
P-PER
Discount Code:
A
Overview
This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA).
The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference – including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) – is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies.
The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference – including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) – is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies.
