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- Seen and Unseen (What Dorothea Lange, Toyo Miyatake, and Ansel Adams's Photographs Reveal About the Japanese American Incarceration)
Seen and Unseen (What Dorothea Lange, Toyo Miyatake, and Ansel Adams's Photographs Reveal About the Japanese American Incarceration)
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$21.99
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Product Details
Author:
Lauren Tamaki, Elizabeth Partridge
Format:
Hardcover
Pages:
132
Publisher:
Chronicle Books (October 25, 2022)
Language:
English
Age Range:
10 to 14
Grade Level:
5th Grade to 9th Grade
ISBN-13:
9781452165103
ISBN-10:
1452165106
File:
hbgusa-hbgusa_Chronicle_onix30_P9924042_04062026-20260406.xml
Folder:
hbgusa
List Price:
$21.99
As low as:
$16.93
Publisher Identifier:
P-CHRONICLE
Discount Code:
B
Weight:
24.32oz
Dimensions:
8.4" x 10.3" x 0.85"
Case Pack:
20
Audience:
Children/juvenile
Country of Origin:
China
Pub Discount:
65
Imprint:
Chronicle Books
Overview
This important work of nonfiction features powerful images of the Japanese American incarceration captured by three photographers—Dorothea Lange, Toyo Miyatake, and Ansel Adams—along with firsthand accounts of this grave moment in history.
Three months after Japan attacked Pearl Harbor in 1941, US President Franklin D. Roosevelt ordered the incarceration of all Japanese and Japanese Americans living on the West Coast of the United States. Families, teachers, farm workers—all were ordered to leave behind their homes, their businesses, and everything they owned. Japanese and Japanese Americans were forced to live under hostile conditions in incarceration camps, their futures uncertain.
Three photographers set out to document life at Manzanar, an incarceration camp in the California desert:
Dorothea Lange was a photographer from San Francisco best known for her haunting Depression-era images. Dorothea was hired by the US government to record the conditions of the camps. Deeply critical of the policy, she wanted her photos to shed light on the harsh reality of incarceration.
Toyo Miyatake was a Japanese-born, Los Angeles–based photographer who lent his artistic eye to portraying dancers, athletes, and events in the Japanese community. Imprisoned at Manzanar, he devised a way to smuggle in photographic equipment, determined to show what was really going on inside the barbed-wire confines of the camp.
Ansel Adams was an acclaimed landscape photographer and environmentalist. Hired by the director of Manzanar, Ansel hoped his carefully curated pictures would demonstrate to the rest of the United States the resilience of those in the camps.
In Seen and Unseen, Elizabeth Partridge and Lauren Tamaki weave together these photographers' images, firsthand accounts, and stunning original art to examine the history, heartbreak, and injustice of the Japanese American incarceration.
AWARENESS OF AMERICAN HISTORY: This impactful book engages with an underrepresented topic in American history, and highlights important and timely themes like primary sources, censorship, and visual literacy.
SUBSTANTIAL BACKMATTER: Featuring eighteen pages of backmatter, including an Author's and Illustrator's Note, footnotes, photo credits, biographies of each photographer, and more.
Perfect for:
Parents
Educators
Librarians
Three months after Japan attacked Pearl Harbor in 1941, US President Franklin D. Roosevelt ordered the incarceration of all Japanese and Japanese Americans living on the West Coast of the United States. Families, teachers, farm workers—all were ordered to leave behind their homes, their businesses, and everything they owned. Japanese and Japanese Americans were forced to live under hostile conditions in incarceration camps, their futures uncertain.
Three photographers set out to document life at Manzanar, an incarceration camp in the California desert:
Dorothea Lange was a photographer from San Francisco best known for her haunting Depression-era images. Dorothea was hired by the US government to record the conditions of the camps. Deeply critical of the policy, she wanted her photos to shed light on the harsh reality of incarceration.
Toyo Miyatake was a Japanese-born, Los Angeles–based photographer who lent his artistic eye to portraying dancers, athletes, and events in the Japanese community. Imprisoned at Manzanar, he devised a way to smuggle in photographic equipment, determined to show what was really going on inside the barbed-wire confines of the camp.
Ansel Adams was an acclaimed landscape photographer and environmentalist. Hired by the director of Manzanar, Ansel hoped his carefully curated pictures would demonstrate to the rest of the United States the resilience of those in the camps.
In Seen and Unseen, Elizabeth Partridge and Lauren Tamaki weave together these photographers' images, firsthand accounts, and stunning original art to examine the history, heartbreak, and injustice of the Japanese American incarceration.
AWARENESS OF AMERICAN HISTORY: This impactful book engages with an underrepresented topic in American history, and highlights important and timely themes like primary sources, censorship, and visual literacy.
SUBSTANTIAL BACKMATTER: Featuring eighteen pages of backmatter, including an Author's and Illustrator's Note, footnotes, photo credits, biographies of each photographer, and more.
Perfect for:
Parents
Educators
Librarians
