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Secrets of Creation
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Product Details
Author:
Robin Mackay
Format:
Paperback
Pages:
200
Publisher:
MIT Press (January 12, 2021)
Language:
English
ISBN-13:
9780957529519
ISBN-10:
0957529511
Weight:
8.8oz
Dimensions:
5.88" x 8.31" x 0.59"
Case Pack:
36
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T162951_155746725-20260405.xml
Folder:
RandomHouse
List Price:
$14.95
As low as:
$11.51
Publisher Identifier:
P-RH
Discount Code:
A
Series:
Urbanomic / Redactions
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
United Kingdom
Pub Discount:
65
Imprint:
Urbanomic
Overview
An artist and a mathematician debate, find common ground, and jointly create an assemblage that is neither (or both) an artwork and a mathematical model.
A week-long residency project brought together artist Conrad Shawcross and mathematician Matthew Watkins to reflect on the ways in which artists use (or misuse) scientific and mathematical concepts. Secrets of Creation documents this fascinating meeting of worlds, presenting both the week's discussions and debates, and the project upon which Shawcross and Watkins subsequently embarked.
Navigating a route that tacked between formalism and natural language, experts and laymen, quantity and quality, poetics and mechanics, Shawcross and Watkins gradually forged a shared discourse in which the concerns of the artist and those of the mathematician could find a common ground. The project ended with their joint creation of an assemblage that was neither (or both) an artwork and a mathematical model.
A week-long residency project brought together artist Conrad Shawcross and mathematician Matthew Watkins to reflect on the ways in which artists use (or misuse) scientific and mathematical concepts. Secrets of Creation documents this fascinating meeting of worlds, presenting both the week's discussions and debates, and the project upon which Shawcross and Watkins subsequently embarked.
Navigating a route that tacked between formalism and natural language, experts and laymen, quantity and quality, poetics and mechanics, Shawcross and Watkins gradually forged a shared discourse in which the concerns of the artist and those of the mathematician could find a common ground. The project ended with their joint creation of an assemblage that was neither (or both) an artwork and a mathematical model.
