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Sanditon and Other Stories (Introduction by Peter Washington) - 9780679447191

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SKU:
9780679447191
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  • Product Details

    Author:
    Jane Austen, Peter Washington
    Series:
    Everyman's Library Classics Series
    Format:
    Hardcover
    Pages:
    544
    Publisher:
    Knopf Doubleday Publishing Group (April 16, 1996)
    Language:
    English
    ISBN-13:
    9780679447191
    ISBN-10:
    0679447199
    Weight:
    20.2oz
    Dimensions:
    5.25" x 8.29" x 1.16"
    Case Pack:
    12
    File:
    RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260705T122703_156890399-20260705.xml
    Folder:
    RandomHouse
    List Price:
    $30.00
    As low as:
    $23.10
    Publisher Identifier:
    P-RH
    Discount Code:
    A
    QuickShip:
    Yes
    Audience:
    General/trade
    Country of Origin:
    Germany
    Pub Discount:
    65
    Imprint:
    Everyman's Library
  • Overview

    Readers of Jane Austen’s six great novels are left hungering for more, and more there is: the marvelous unpublished manuscripts she left behind, collected here.

    Sanditon
    might have been Austen’s greatest novel had she lived to finish it. Its subject matter astonishes: here is Austen observing the birth pangs of the culture of commerce, as her country-bred heroine, a foolish baronet, a family of hypochondriacs, and a mysterious West Indian heiress collide against the background hum of real-estate development at a seaside resort.

    The Watsons
    , begun in 1804 but never completed, tells the story of a young woman who was raised by a rich aunt and who finds herself shipped back to the comparative poverty and social clumsiness of her own family.

    The novella Lady Susan is a miniature masterpiece, featuring Austen’s only villainous protagonist. Lady Susan’s subtle, single-minded, and ruthless pursuit of power makes the reader regret that Austen never again wrote a novel with a scheming widow for its heroine.

    The special joy of this collection lies in Austen’s juvenilia–tiny novels, the enchantingly funny Love and Freindship, comic fragments, and a (very) partial history of England–romping miniatures that she wrote in her teens. Their high spirits, hilarity, and control offer delicious proof that Austen was an artist “born, not made.”