Rudolf Polanszky (Recent Works )
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Product Details
Author:
Hans-Ulrich Obrist, Francesco Stocchi
Format:
Hardcover
Pages:
100
Publisher:
Rizzoli (September 15, 2020)
Language:
English
ISBN-13:
9780847869107
ISBN-10:
0847869105
Weight:
28.2oz
Dimensions:
8.75" x 11.5" x 0.63"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260617T072309_156615729-20260617.xml
Folder:
RandomHouse
List Price:
$70.00
Case Pack:
14
As low as:
$60.20
Publisher Identifier:
P-RH
Discount Code:
C
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
Italy
Pub Discount:
60
Imprint:
Gagosian / Rizzoli
Overview
Published on the occasion of Rudolf Polanszky's first exhibition with Gagosian, this publication highlights recent paintings and sculptures by the Viennese artist.
Rudolf Polanszky's cerebral and uniquely multidisciplinary work embraces the chance occurrences that arise throughout the creative process. The recent works presented in this volume exemplify the canvas-mounted and floor-based assemblages that he has been developing since the 1990s. To make his richly textured assemblages, Polanszky shatters and recombines salvaged industrial materials--including acrylic glass, aluminum, silicone, and wire--into purely aesthetic forms, freeing them of their original contexts.
An essay by Francesco Stocchi considers the artist's work in relation to the concept of the void, while a conversation with the artist by Hans-Ulrich Obrist offers an overview of Polanszky's career. These illuminating texts are accompanied by full-color plates, ample rich details, and photographs of the artist at work in his studio.
Rudolf Polanszky's cerebral and uniquely multidisciplinary work embraces the chance occurrences that arise throughout the creative process. The recent works presented in this volume exemplify the canvas-mounted and floor-based assemblages that he has been developing since the 1990s. To make his richly textured assemblages, Polanszky shatters and recombines salvaged industrial materials--including acrylic glass, aluminum, silicone, and wire--into purely aesthetic forms, freeing them of their original contexts.
An essay by Francesco Stocchi considers the artist's work in relation to the concept of the void, while a conversation with the artist by Hans-Ulrich Obrist offers an overview of Polanszky's career. These illuminating texts are accompanied by full-color plates, ample rich details, and photographs of the artist at work in his studio.
