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Relational Acts (Performance Practices and Media of Documentation)

List Price: $52.99
SKU:
9783689242770
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25 unit(s)
Expected release date is Jun 30th 2026
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  • Product Details

    Author:
    Barbara Büscher, Franz Anton Cramer, Ulrike Hanstein
    Format:
    Paperback
    Pages:
    360
    Publisher:
    De Gruyter (June 30, 2026)
    Imprint:
    dG Arts
    Release Date:
    June 30, 2026
    Language:
    English
    Audience:
    Professional and scholarly
    ISBN-13:
    9783689242770
    ISBN-10:
    3689242770
    Weight:
    16oz
    Dimensions:
    6.69" x 9.45"
    File:
    TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260421163259-20260421.xml
    Folder:
    TWO RIVERS
    List Price:
    $52.99
    Country of Origin:
    Germany
    Pub Discount:
    40
    As low as:
    $47.69
    Publisher Identifier:
    P-PER
    Discount Code:
    G
  • Overview

    Aesthetic, documentary and historiographical processes are intertwined increasingly in the arts. Relational Acts explores the complex relationships between performance arts, archival processes, and exhibition practices. The contributions to this interdisciplinary volume examine the relationships established via embodied forms of transmission, media-technical methods of documentation, or processes of recording, selection and presentation. The subject is the relationships between performances and appropriative repetitions, between embodied practices and technical infrastructures, between performers and documentarists, and between performance and media history.

    Performance practices and their documentation are explored as knowledge-creating, collaborative spheres of action. The authors from the fields of art and science write about the materials, media and concepts of documentation. In doing so, they contribute to a media-theoretical discourse on contemporary art.

    • International perspective on performance-based works with reference to current exhibitions
    • Linking aesthetic, historiographical, curatorial and conservational perspectives on performance art
    • Contribution to the current debate on archives and performance